By: Jessica Goddard In a classic case of truth being stranger than fiction, JT LeRoy is especially interesting if you keep in mind its events notoriously did happen. All the required overacting works, since the story is so bizarre and based on a sequence of such strange choices.
Lizzie is a decent psychological slow burn, but its problematic pacing leaves me wondering if the film could’ve been stronger had it been workshopped more. With his second feature film, director Craig William Macneill demonstrates his ability to build tension through taut silences and piercing instrumentals. However, Bryce Kass’ script doesn’t match the filmmaker’s patience.
By: Jessica Goddard A movie packed with subtlety and nuance, Kelly Reichardt’s Certain Women both wrenches the heart and flexes one’s critical capacities. Do we have sympathy for this character because we authentically suspect they’re a good person in spite of their actions, or do we desperately want them to be a good person because we feel so deeply sorry for them?