The swashbuckling comedic action-adventure sub-genre featuring a macho man saving a high-profile damsel in distress seems like a dated idea.  It’s possible for filmmakers and storytellers to modernize this premise (The Lost City as a recent example), but to leave this two-dimensional dynamic at its infant stages for most of the movie feels like a no-win risk.  If this is generally agreed upon, then pardon me for the switcheroo: I had a lot of fun with…