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Jeremy O. Harris

Reviews

The Sweet East

The Sweet East is a coming-of-age tale told by unreliable narrators (screenwriter Nick Pinkerton and director Sean Price Williams, making audacious feature debuts), and centred around a conceited anti-hero with a personality disorder. Your feelings towards that concept alone will reflect how you will react to the film itself. You can try giving it the benefit of the doubt if you’re already feeling irritated, but I’m afraid your efforts will all be for naught.

Reviews

Zola

Zola, to an extent, is experimental with its narrative.  While it flows coherently, the film is very much still in tune with its source material – a series of tweets explaining a story that’s “strange yet true” – and presents itself as someone spinning you a wild yarn (intercut with tangents and outbursts).