2017 was a strong year for horror and fantasy, but it was still a year that offered plenty of problematic films. Read what most of the critics at Wylie Writes considered the stinkers of 2017, and don’t forget to click highlighted titles for reviews.
There is a tradition in American horror cinema of making a short film with a lot of effects and minimal plot to be eventually used as a calling card. It seems like this practice has found its way into the feature length semi-mainstream. At least, that’s the only explanation for the existence of Trey Edward Shults’ It Comes at Night, a film which shows the director’s abilities as a horror filmmaker – including his great gift for…