Henry Joost

Reviews

Nerve

In their essay “Cinema-Ideology-Criticism”, Jean-Luc Comolli and Jean Paul Narboni speak of a category of cinema which is politically progressive in content, but whose politics can be discounted due to the generic and status quo supporting form.  This category is exemplified in Nerve, a film which, just like your friend who speaks about how others “don’t understand”, manages to talk for 96 minutes without ever actually saying anything.

Reviews

NY Export: Opus Jazz

By: Addison Wylie I’m all for art taking different forms.  Art doesn’t necessarily always have to contain deeper meanings.  In the case of NY Export: Opus Jazz, having the intentions of emulating a classier time of musical cinema in a modern world is perfectly fine. However, when the featured silenced dancers show this much talent and capability as they do in NY Export: Opus Jazz, it’s hard not to expect something more than “just dancing”…