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Fantasia Fest 2015: ‘The Demolisher’

By: Addison Wylie Director Gabriel Carrer’s screenplay of The Demolisher is practically speechless until 18-minutes into the film.  However, the audience is so acquainted with the heart-aching leads by then, that Carrer’s film could’ve gotten away with completely being a silent film. If film critic-turned-filmmaker Chris Alexander is carrying out a similar yet more minimalist approach with the horror genre, Carrer could’ve done the same with this crime thriller.  Nonetheless, The Demolisher is really good.  And…

Festival Coverage

Blood in the Snow ’14: Serpent’s Lullaby & Berkshire County

As movie goers prepare for the season’s holiday offerings, horror fans buckle up for a round of Canadian talent at this year’s Blood in the Snow Film Festival. The festival, founded by Kelly Michael Stewart, features the cream of the genre crop.  Blood in the Snow’s selections range from unsettling slow burns to the visually grotesque.  It’s a competently passionate showcase that gives indie filmmakers a fantastic opportunity to premiere their work, and hands audiences a rare…

Festival Coverage

Wylie Writes @ Hot Docs 2014: A Doc with Braaains

Just as other festivals offer a “Midnight Madness” selection, Hot Docs hopes to bring in the same crowd with its Nightvision screenings. These documentaries feature brazen topics and massive cult followings;  films that are certainly unlike any other.  An added bonus is the discounted price of films screening after 11:00 p.m.  For a cool $7, treat yourself to some of these neat docs. If you’re into horror, you should give Alexandre Philippe’s doc a shot. Doc of the Dead (DIR. Alexandre Philippe)…

Reviews

Wylie Writes at Toronto After Dark ’13: Finding Disturbed Love

If you’ve been keeping up with my writing at Film Army, you would’ve been more than acquainted with our coverage of this year’s Toronto After Dark Film Festival. The festival which focuses on bringing hardcore genre films (short and feature length) to eager audiences has been stronger than last year but still hit-and-miss. While gems like We Are What We Are and Big Ass Spider! had audiences glued, other horrors like Silent Retreat and Septic…