Filmmakers like to carve out their niche. For instance, George A. Romero had the horror genre and, more importantly, he clung on to zombie culture. He was always experimenting with the undead. If his ideas didn’t pan out, he moved on to the next project with more ambition than before. In a similar vein, writer/director David Ayer (Suicide Squad, Bright) likes the action genre and, more importantly, he’s clung on to gang culture and its…
By: Addison Wylie If I was an actor starring in Revenge of the Green Dragons and I was watching the final cut of the film, I would be feeling cheesed by the filmmakers. Well, maybe if I wasn’t Harry Shum Jr., the dancing charmer from Glee who takes his acting to a more dramatic level with this crime film. If I was him, I would be feeling proud that I had pulled off a such…
By: Addison Wylie Recently, I reviewed the humdrum action flick In The Blood. It was escapist entertainment that didn’t work because the filmmaker in charge couldn’t wrangle an action film. He understood the music, but didn’t necessarily know how to play the song. After having watched Brick Mansions, I feel the need to follow-up with my analogy. Brick Mansions is that musician who knows the music, can perform the song, but has no desire to…
By: Addison Wylie The start of the year showed Toronto movie goers a more fabulous side of Baltimore, Maryland in the crowd pleasing doc I Am Divine. As January wraps itself up, those same audiences are let in to Baltimore’s inner-city brew with Lotfy Nathan’s documentary 12 O’Clock Boys. The 12 O’Clock Boys earned their name by notoriously buzzing around busy streets on dirt bikes and carrying out wheelies that appeared to hold a near 90-degree angle….