By: Addison Wylie If you haven’t heard of African journalist Anas Aremeyaw Anas, he’s doing a good job hiding his identity.  Few have seen him face-to-face, but this is because his safety and his flourishing career depends on staying incognito.  Even in Ryan Mullins’ documentary Chameleon, Anas’ face is either blurred out or obscured for good reason. Anas’ groundbreaking investigative journalism mixes elements of crime-fighting.  Using his ability to illustrate a story and set up…