By: Addison Wylie It may be their first stab at a feature film but with their debut, Chronicle, I’m convinced that Josh Trank and Max Landis are two guys who have a bright future ahead of them. This isn’t a premature, quick-to-the-draw feeling but a solidified and excited statement. Chronicle is the latest found footage entry but although the filmmaking method feels familiar, it’s how it’s executed that leaves an impact. The story is told…
By: Addison Wylie Road movies have been done so many times, that they’ve now evolved into their own genre. They follow a similar formula, a straightforward plot, and feature a lot of robust side characters but grounded leads. With any frequent genre, it’s not so much how common those notes are but how the musician plays them. With Moon Point, an independently made Canadian feature, Director Sean Cisterna takes a heartfelt script that has an…
By: Addison Wylie The marketing department behind the campaign hyping the recent Horror movie The Devil Inside deserves a raise or at least a cold glass of beer (their choice, of course). I say this because they have managed to successfully pull the wool over our eyes and have convinced the paying public that The Devil Inside is a highly effective and consistently frightening flick. I’m one of the victims. When I first saw the…
By: Addison Wylie I suppose I should start this review by stating that I have not seen the original Footloose. It’s a clichéd beginning to a review for the remake but I want to let readers know where I’m coming from. I know about the original’s obtuse popularity, I know the film helped Kevin Bacon project further into the acting world and I’m familiar with the story concerning an outsider trying to open the eyes…