Dalíland isn’t your typical biopic where the viewer walks away with specific details about the subject’s life and career – in this case, artist Salvador Dalí (played splendidly by Sir Ben Kingsley). Although there are biographical scenes in Mary Harron’s movie, it boils down to a story about ego and how other people react to it. In that respect, it kind of works on a similar frequency as Harron’s American Psycho, except far less bloody…
Movie theatres have been over-saturated with comic book adaptations, and audiences have been spoiled. “Spoiled” in two ways: studios want to give movie goers more bang for their buck, but by now, just about everyone is burnt out on these action/adventures. Part of the reason Marvel’s Deadpool was such a success is because it wasn’t afraid to make fun of itself and reinvent the formula – people appreciated that breath of fresh air.
By: Addison Wylie The Stanford Prison Experiment is fascinating as it is disturbing. It’s too bad such an inhumane procedure had to take place in real life in order for us to receive this excellent and provocative dramatization. Stanford’s Dr. Philip Zimbardo took a leap of faith when designing an experiment which positioned 18 young men as guards and prisoners in a makeshift jail located in the basement of the university’s Jordan Hall. The two-week long…
By: Addison Wylie Trainwreck is much more than a vehicle for rising comedic star Amy Schumer. It’s easily Judd Apatow’s strongest work as a filmmaker, evidence that Schumer’s honesty flows through her long form screenwriting, and the best romantic comedy this critic has seen since 2008’s criminally underrated Definitely, Maybe. Definitely, Maybe is a standard sort of rom-com, where Trainwreck sends home the same type of charm but also reflects contemporary pessimism towards romance. It…