By: Addison Wylie With his latest feature film, writer/director Derek Cianfrance has already made his Magnolia with The Place Beyond the Pines, an excellent and expansive drama intertwining complex characters and haunting pasts with a twist of fate. This is, without a doubt, a step in the right direction for Cianfrance who made a name for himself rather quickly with 2010’s Blue Valentine. I was a fan of the tightly wound performances in Blue Valentine,…
By: Addison Wylie Fresh off his enigmatic Oscar nominated The Tree of Life, Terrence Malick hits theatres (and VOD in the USA) with To the Wonder, a character study of sorts – but even I have a hard time calling it a straight “character study”. The film is a character study in the sense that Malick’s film has a loose story and a small ensemble portraying fictional people written by the complex director, but To…
By: Addison Wylie The power of suggestion is afoot in The Master. Not just in the film itself, but it surrounded the film’s promotion and lead-up to its theatrical release. With the mention of a cult and a leader confidently guiding followers through his “rational thinking and cleansing”, many linked Paul Thomas Anderson’s latest to Scientology and to L. Ron Hubbard, the creator of the infamous religion. It struck controversy around the film and the…
By: Addison Wylie Life can imitate art and vies versa. For novelist Calvin Weir-Fields, he’s still trying to figure out where his encounter with Ruby falls. What an audience can be certain about though is that Jonathan Dayton and Valerie Faris’ Ruby Sparks always keeps things interesting. Calvin (played by Paul Dano) is a neurotic character – as all movie writers usually are. From Nicolas Cage’s portrayal of Charlie and Donald Kaufman in Adaptation. to…
By: Addison Wylie Back when we all had a little bit more patience, it felt that films like People Like Us took up over half the screens at local movie theatres; most notably in the 90’s. Come to think of it, here’s a perfect example. With all the film’s scenes featuring characters talking about favourable vintage music, People Like Us has a High Fidelity vibe going for it. That’s not to say Alex Kurtzman’s film…
By: Addison Wylie A Thousand Words is a film made for no one; especially if you’re a person who talks back to the screen. If you aren’t one of those loud patrons yet, A Thousand Words may very well convert you. It did for me. Eddie Murphy’s latest vehicle has his character Jack McCall having a tight leash on his vocabulary. After a mysterious tree grows in McCall’s backyard, he learns that with each word…