By: Addison Wylie 3 Days to Kill pairs action veteran Luc Besson with the imperious directing efforts of McG. The two filmmakers have unmistaken love/hate relationships with movie goers, but it’s clear that these men have strengths in specific areas. Besson has shown audiences how action can be exciting with jaw-dropping stunts, and McG knows how to capture an explosion. The latter may sound underwhelming compared to Besson’s clout, but “flash” is McG’s forte. Their…
By: Addison Wylie It was nice to see a young adult book series stick to its gritty tone and not feel the need to make it lighter for a mainstream audience. That’s exactly what The Hunger Games did with its first venture to the big screen. It did, however, succumb to attributes that felt reminiscent to other franchises with a widespread teen audience. One of these beats being complications with affection between two strapping young…
By: Addison Wylie “Bittersweet” is the best word to describe Her. Spike Jonze has taken our bad habits with technology and projected them to frame an original love story with messages of poignancy. It’s a personal film about an impersonal society. The characters on-screen are closed off to everyone around them. Among them is writer Theodore Twombly (played by Joaquin Phoenix who is a spitting image of Napoleon Dynamite’s “womanizing” brother Kip). People are enjoyably…
By: Addison Wylie You have to hand it to Martin Scorsese. At age 71 with dozens of classics under his belt to which he directed, he still has the courage to make a provocative fireball of a movie like The Wolf of Wall Street. The Wolf of Wall Street chronicles the fast track lifestyle of real life wall street broker Jordan Belfort. Belfort is played by Leonardo DiCaprio, who soaks in the shadiness with a…
By: Addison Wylie The Selfish Giant gives off an aroma of a film that will be remembered for a very long time. The staying power of its troubled characters as well as the painfully realistic portrayal of a down-and-out community in Northern England are quite remarkable. This directorial feature debut from British director Clio Barnard trails the life of two young troublemakers trying to make sense of their early teens. Both boys always yearn to…
By: Addison Wylie My experience with Inside Llewyn Davis is not like any I can recently recall off the top of my head. My appreciation for it came hours after watching it and declaring the film was a bit of a wet noodle. The latest film from the Coen Brothers was unsatisfying. Then again, the film was the type of work from Ethan and Joel Coen that is not my cup o’ tea. The Coen’s…
By: Addison Wylie The Spectacular Now is the movie about high school I wish I had growing up. It’s easily identifiable and relatable to anyone who felt growing pains or knew someone having a wobbly time through secondary education. James Ponsoldt’s coming-of-age dramedy features two exceptional performances from up-and-comers Miles Teller and Shailene Woodley, who play unexpected friends who eventually become smitten with each other. Though, Teller’s motormouth Sutter Keely won’t directly admit it since…
By: Addison Wylie It’s appropriate that If I Were You’s climax includes a theatrical production because Joan Carr-Wiggin’s film is a full-on farce that would play well on stage. When I say “farce”, I mean a comedy of errors set at Defcon 4. This is the type of film where someone ties a noose around their neck with full intentions to hang themselves, only to forget about the rope until they try and walk to…
By: Addison Wylie Bridegroom is an expansion of a YouTube video titled It Could Happen To You. The story documented in It Could Happen To You is powerful with how uplifting it is as well as to how unfair it all becomes. Anyone who saw Shane Bitney Crone and Thomas Lee Bridegroom laughing together, holding hands, or embracing each other had proof that true love existed. It gave people confidence that two levelheaded people could…
By: Addison Wylie I get worried when I feel emotionless at the end of a movie like The Broken Circle Breakdown. Felix Van Groeningen’s drama didn’t make me feel depressed to a point of numbness. In fact, he wants his audience to feel high levels of emotion more than anything. The film offers a lot to smile and cry about with its themes of love and loss, and a lot to tap your toes to…