Chasing Valentine does a good job justifying its potential targets for criticism.
By: Trevor Chartrand Informative and eye-opening, The Dissident is a haunting documentary that’s shockingly timely and relevant, especially considering last week’s siege in Washington. Among other things, this film demonstrates the dangerous potential of social media when used in the wrong way.
By: Jolie Featherstone Brayden DeMorest-Purdy’s feature film debut, Beyond the Woods, is a mind-bending, slow-burning crime drama where lost and troubled individuals burn like smoking flames flickering against the bitter-cold, snow-capped landscape that threatens to consume them.
The Kid Detective has done the best job, in recent memory, explaining why a mystery’s leading sleuth is such a sad sack. The enigmatic and eccentric personality has become such a cliché in the genre, that the audience just expects and accepts the detective to be grizzled, or unhappy, or an unpredictable hot head. In The Kid Detective, Abe Applebaum (Adam Brody) carries those traits, but writer/director Evan Morgan provides compelling motivation which fuels Brody’s top-form…
Filmmakers like to carve out their niche. For instance, George A. Romero had the horror genre and, more importantly, he clung on to zombie culture. He was always experimenting with the undead. If his ideas didn’t pan out, he moved on to the next project with more ambition than before. In a similar vein, writer/director David Ayer (Suicide Squad, Bright) likes the action genre and, more importantly, he’s clung on to gang culture and its…
I don’t think it’s always required for a filmmaker to have an opinion about war if their movie is about war. Sometimes, the movie simply exists to entertain or educate about a significant historical event. But, if a filmmaker was to tell a story about the effects of war (primarily the long-term psychological impact), I feel like the filmmaker should use the platform to send a message about the value of combat.
Daniel Roby’s deftly directed thriller Target Number One fictionalizes the true story of a Quebecois drug addict who was imprisoned in Thailand as a result of a set-up by Canadian intelligence in the 1980s. Taking some of its procedural cues from Spotlight, Target Number One is a kinetic, uncompromising look at the impacts and importance of journalism on the overreach of power in counter-intelligence.
Things I Do For Money could be compared to 2004’s You Got Served, which is a movie I thought I wouldn’t be referencing 16 years later. Yet, here we are.
By: Trevor Chartrand With a title like this, it’s too easy for reviewers like myself to open with something like, “A Perfect Plan is not a perfect movie”, so allow me to go one step further. It would be more accurate to say this film falls monstrously short of perfect. In fact, it’s about as far from perfection as you could possibly get. A mediocre thriller at best, the film is littered with problems in…
By: Trevor Chartrand A plain and passable thriller, The Postcard Killings is stamped with mild mystery and timid intrigue that ultimately doesn’t deliver a whole lot of punch.