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The Tax Collector

Filmmakers like to carve out their niche.  For instance, George A. Romero had the horror genre and, more importantly, he clung on to zombie culture.  He was always experimenting with the undead.  If his ideas didn’t pan out, he moved on to the next project with more ambition than before.  In a similar vein, writer/director David Ayer (Suicide Squad, Bright) likes the action genre and, more importantly, he’s clung on to gang culture and its…

Reviews

Battle Scars

I don’t think it’s always required for a filmmaker to have an opinion about war if their movie is about war. Sometimes, the movie simply exists to entertain or educate about a significant historical event. But, if a filmmaker was to tell a story about the effects of war (primarily the long-term psychological impact), I feel like the filmmaker should use the platform to send a message about the value of combat.

Reviews

Target Number One

Daniel Roby’s deftly directed thriller Target Number One fictionalizes the true story of a Quebecois drug addict who was imprisoned in Thailand as a result of a set-up by Canadian intelligence in the 1980s.  Taking some of its procedural cues from Spotlight, Target Number One is a kinetic, uncompromising look at the impacts and importance of journalism on the overreach of power in counter-intelligence.

Reviews

A Perfect Plan

By: Trevor Chartrand With a title like this, it’s too easy for reviewers like myself to open with something like, “A Perfect Plan is not a perfect movie”, so allow me to go one step further.  It would be more accurate to say this film falls monstrously short of perfect.  In fact, it’s about as far from perfection as you could possibly get.  A mediocre thriller at best, the film is littered with problems in…

Reviews

Judy & Punch

Punch and Judy are a couple of characters in a traditional British puppet show who are not exactly known for their subtlety.  Punch is placed in charge of taking care of their kids.  He hits the kid, his wife gets mad, he hits his wife, a cop shows up, he hits the cop, and so on and so forth.  As such, it is a bit unusual that someone decided that this story, or rather the…

Reviews

Dreamland

Pontypool is one of my favourite movies, even though I really dislike its post-credit sequence.  It’s a random bit that looks like a deleted scene from Robert Rodriguez’s Sin City series, featuring obscure characters that we haven’t seen before exchanging hard-boiled dialogue – it’s moody nonsense.  It makes as much sense as the entirety of Dreamland, a pseudo-fantasy-noir that has the gall to ride the coattails of Pontypool;  squandering the reunion of its filmmakers and…

Reviews

A Fall from Grace

In between takes on the set of David Fincher’s Gone Girl, Tyler Perry must’ve thought about making a crime drama or an erotic thriller;  and he must’ve thought about merging those ideas into one project.  But like most pipe dreams, these visions are usually filed away into our subconscious.  But for Perry, A Fall from Grace must’ve been itching to get out.