By: Addison Wylie My feelings for Jim Jarmusch’s Ghost Dog: The Way of the Samurai follow in the same vein as some sceptics felt about Nicholas Winding Refn’s Drive – a whole lot of style and not much else. I could see what Jarmusch was trying to do with Ghost Dog.  It was the same thing we later saw Refn carry out with Drive, except Refn executed his film much better.  Jarmusch was wanting to…