Netflix follows up The Princess Switch: Switched Again with another disappointing seasonal sequel to one of their holiday hits, The Christmas Chronicles.
The original cast, director, and screenwriters from Netflix’s surprise hit The Princess Switch have reunited for The Princess Switch: Switched Again to offer fan service for at-home viewers. But even though the production remembers what tickled audiences the first time around, they have failed to capture the same spark in this rusty sequel.
Recently, I reviewed the hilariously spot-on holly-jolly spoof Cup of Cheer. The comedy did such a good job calling out tropes, clichés, and lazy writing found in Christmas movies. What it didn’t do, and what I realized after watching My Dad’s Christmas Date, is that Cup of Cheer didn’t poke fun at deceptive movies that bait viewers with seasonal qualities to dress up an otherwise dismal story. If My Dad’s Christmas Date didn’t occasionally show…
How do you satirize a genre that’s become a spoof of itself? It isn’t an impossible trick but, to pull it off, it takes a keen eye for detail and a filmmaker who can thread the needle between appreciation and cynicism. 2014’s They Came Together, a comedy from the creators of Wet Hot American Summer that hilariously destroyed the rom-com genre, is the bellwether for me, and this year’s clever seasonal spoof Cup of Cheer…
I’ve been hard on Illumination in the past, but for a good reason. Universal’s animation company always seemed to be borrowing from other brands, from copycat plots to specific character designs. This makes the studio’s version of Dr. Seuss’ The Grinch a bit of an anomaly. It’s an existing, well known property that could’ve been another clone but, instead, Illumination has provided a new take on the popular Dr. Seuss curmudgeon, which also includes luscious animation…
Netflix Originals come and go, but the streaming service’s latest festive flick The Christmas Chronicles is a new holiday classic – an entertaining family film that will hold resonance for years to come.
By: Trevor Chartrand While the concept of a homicidal Santa Claus has certainly been explored in slasher films like Santa’s Slay and Silent Night, Deadly Night, director Paul Tanter has found a surprisingly fresh approach to the ‘Killer Claus’ trope in Once Upon a Time at Christmas. This fun and festive Canadian B-movie will give viewers a reason to keep the Christmas lights on overnight.
By: Jessica Goddard A Bad Moms Christmas, the holiday sequel to last year’s Bad Moms from the same writer/director team (Jon Lucas, Scott Moore) is generally fun, when it’s not trying to force sentimentality. It wouldn’t be accurate to say this movie takes itself seriously, but its insistence on crossing over into sappiness and raunchiness when it runs out of comedy is lazy and unfortunate.
It’s business as usual for Office Christmas Party, the latest exercise in R-rated edginess being applied to an otherwise toothless situation. Audiences may have been given a dose of this same seasonal comedy in Bad Santa 2, but a more relevant comparison is between Office Christmas Party and 2011’s A Very Harold & Kumar 3D Christmas.
Body is meatier than anyone would expect.