Chloë Sevigny


The Dead Don’t Die

Jim Jarmusch has been making films for almost forty years.  Despite such a prolific career, his bad works can be counted on one hand.  This is a direct result of knowing his audience and knowing exactly what it is that they want.  This streak continues with his latest feature, The Dead Don’t Die, a zombie horror-comedy which takes on American consumption without ever taking itself too seriously;  after all, that film was made about forty…



Lizzie is a decent psychological slow burn, but its problematic pacing leaves me wondering if the film could’ve been stronger had it been workshopped more.  With his second feature film, director Craig William Macneill demonstrates his ability to build tension through taut silences and piercing instrumentals.  However, Bryce Kass’ script doesn’t match the filmmaker’s patience.

Festival Coverage

Toronto After Dark 2016: ‘Antibirth’ and ‘From a House on Willow Street’

Antibirth (DIR. Danny Perez) Antibirth is the feature film debut of Danny Perez, someone who has – until now – worked exclusively in music videos, and it shows.  The film has a chaotic punk rock aesthetic and beautiful imagery, but not much else going for it.  Just like a music video, Antibirth is all about getting from one image to the next, only this time with several minutes of dead air between each visual. The film follows Lou (Natasha…