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Reviews

The Grizzlies

By: Trevor Chartrand You’ll be hard pressed to find a more Canadian film than The Grizzlies;  the inspiring true story of an impoverished Nunavut community battling mental illness by creating a sports team.  Over ten years in the making, this long-time passion project of director Miranda de Pencier is a not only a well-made dramatic film, but also a small taste of the type of media representation First Nations and Inuit citizens deserve.

Reviews

Hellmington

Hellmington centres on Detective Samantha Woodhouse, distressed over the recent death of her father and tormented by a forgotten yet mysterious case of the disappearance of a former high school classmate.  In order to piece together the puzzle of the latter, Samantha reconnects with her past while she’s in town for the funeral;  including meeting old acquaintances and people who were close to her late dad.

Reviews

Man Running

Gary Burns’ Man Running, which modestly premiered at the 2018 Whistler Film Festival, follows Jim (Gord Rand) as he participates in a 24-hour marathon.  The laborious journey he takes is vertiginously interspersed with flashbacks and hallucinations, suggesting a double struggle for the main character: one physical, one emotional.

Short Film Showcase

Short Film Showcase: ‘Ghost Beaver Kick’ and ‘The Tattooist’

Wylie Writes’ Short Film Showcase acknowledges exclusive screenings of short films across Canada.  Short-form filmmaking is sometimes overshadowed by larger projects or, worse, ignored completely.  With this showcase, Wylie Writes wishes to not only provide a unique opinion for filmmakers, but to also spread awareness of these special screenings for our loyal readers.

Reviews

Trouble in the Garden

Possibly influenced by Rachel Getting Married and August: Osage County, writer/director Roz Owen makes her feature film debut with Trouble in the Garden, a condensed drama about a family’s black sheep returning “home” to unexpectedly face her conflicted past.

Reviews

Sharkwater: Extinction

Circling back to the achievements he made wth his breakout doc Sharkwater, filmmaker/conservationist Rob Stewart checks in in the status of sharks in his final film Sharkwater: Extinction. The documentary, however, takes on a parallel meaning because it’s not only a swan song to an endangered species, it’s also a touching goodbye to Stewart and his career in activism.

Reviews

Pogey Beach

Pogey Beach offers a predicament: it’s a comedy that’s not necessarily funny, but you’ll still laugh for the right reasons.  Jeremy Larter’s slacker comedy will put the viewer in more of a fugue state than sun stroke ever could.

Reviews

Into Invisible Light

Into Invisible Light would have had better compatibility on stage than how it currently plays in its cinematic scope.  As it is, the movie’s fine – decent even.  But by projecting itself to fill a larger space, Shelagh Carter’s modest dialogue-driven drama calls attention to its barebones aesthetics when really these details should be, well, invisible.