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Reviews

Die Alone

Die Alone is the latest from WolfCop director Lowell Dean, but it’s a much more sombre effort from the Saskatchewan filmmaker.  Still firmly rooted in horror within an undead dystopia, Die Alone is a tricky thriller that challenges its characters in unorthodox ways.

Reviews

The Pee Pee Poo Poo Man

I can picture filmmaker Braden Sitter Sr. watching the news and becoming sidetracked by the ticker scrolling across the bottom of the screen. I can also picture the filmmaker getting lost down a rabbit hole of ridiculous clickbait articles on social media. This isn’t a knock against Braden because a movie as off-the-wall as his unauthorized comedy The Pee Pee Poo Poo Man needs sheer mischievous curiousity to make it work, and there’s no shortage of…

Reviews

Backspot

My appreciation for Backspot moves like a teeter-totter.  While it’s worth congratulating the filmmakers for not giving in to sports clichés, the movie may have benefited from more melodrama.

Reviews

Wild Goat Surf

By: Trevor Chartrand Superb and charming, Wild Goat Surf is a timeless coming-of-age story from writer/director Caitlyn Sponheimer. The movie perfectly encapsulates youth and our formative years;  a turbulent time full of nuance and doubt.

Festival Coverage

Hot Docs 2024: ‘My Dad’s Tapes’

Ever since the the death of Leonard Watson in 2006, aspiring filmmaker Kurtis Watson has struggled to find closure and understand his Dad’s decision to commit suicide.  It’s been an upsetting topic for his family, who are either still grieving or are more in the dark than Kurtis about the tragedy.

Reviews

The Movie Man

The Princess Diaries The Dark Knight The Secret Life of Pets Mission: Impossible – Fallout These are the four movies I’ve seen at Highlands Cinema in Kinmount, Ontario.  Four completely different movies with a ubiquitous moviegoing experience; provided by the theatre, its staff, and owner Keith Stata.  It’s only fair to present my bias before reviewing The Movie Man, Matt Finlin’s documentary about Stata’s legacy and the history of his DIY multiplex.  Located in the…

Festival Coverage

Canadian Film Fest ’24: Daughter of the Sun

When I wrote about Ryan Ward’s directorial feature debut Son of the Sunshine, I was humbled by the filmmaker’s response to my unenthused review.  I had labeled his film as “maple syrup melancholy”, a term I coined to encompass Canada’s ongoing trend of churning out depressing, empty movies.  I thought the term was clever, Ward didn’t think so.  The Canadian writer/director advised that, while disliking a movie and its motives is fine, labelling art can…