Filmmaker Zack Russell and actor Kayla Lorette team up for another surreal short film with 7A.
Featured in the festival’s Wavelengths selection, Andrea Bussmann’s Fausto shows audiences why this particular programme is so important for a well-rounded TIFF experience.
Chilly character drama Cardinals revolves around a trauma that ends in death and a prison sentencing. And while it appears justice has been served, interest flares up when suspicions drudge up the past.
Canadian indie filmmaker Ross Munro clings to the past in A Legacy of Whining.
Gail Harvey’s latest movie Never Saw It Coming has a title so unintentionally fitting, it makes my head spin.
Television writer Katherine Schlemmer makes her first splash as a filmmaker with The Death (and Life) of Carl Naardlinger. And if you think that name is even remotely funny, then Katherine is happy you bought a ticket for her film. If you don’t, you best mosey into the next theatre.
With 22 Chaser, director Rafal Sokolowski gives Toronto a vibrancy and grit usually associated with big American cities. This edgy vision efficiently (and stylistically) projects the aggressive nature between the film’s competitive characters, who are trying hard to earn their keep.
A teenager’s public suicide sends shockwaves through their high school, as students and teachers alike reel and cope. On the fringe of the tragedy is Hashi, a shy creative writer who had a close friendship with the victim. Being generally shy and uncomfortable to begin with, Hashi – despite finding an emotional connection through poetry – doesn’t know how to exhale his pain. Unfortunately, he chooses ways to grieve that are detrimental to his life.
Black Cop is an aesthetically beautiful and achingly relevant examination of race, power, justice, and responsibility.
By: Trevor Chartrand Michelle Ouellet’s Prodigals depicts a feeling as much as a narrative. Based on a stage play of the same name, the film is about a group of 20-somethings reflecting on their lives, and coming to terms with the emptiness staring back at them. While it may sound bleak and unsettling, the film isn’t without a few shimmering rays of hope.