By: Addison Wylie 88 is proof a film can go feral. It’s a version of Memento that’s been influenced by exploitation schlock and left out in the sun for too long. It’s fun for a bit, but the film runs out of steam. The rowdy trashy energy sends the film to a place of no return – fandom purgatory. April Mullen has appeared in front of the camera in various supporting roles, and has now…
Being Canadian (DIR. Robert Cohen) By: Addison Wylie Comedy writer Robert Cohen hits the road to Vancouver with a documentary crew in Being Canadian, a humorous look at Canadiana. Cohen’s goal is to reclaim Canada’s identity and deconstruct the stereotypes that have long followed Canucks; including igloo assumptions, shabby television programming, adamant politeness, and the country’s overflowing supply of comedy legends. Cohen’s dry wit and bewildered fascination drives this labour of love (no pun intended) in…
The Amina Profile (DIR. Sophie Deraspe) By: Trevor Jeffery The Amina Profile is three stories in one: a three-part politically charged long-distance romance with a twist; a bit of Going the Distance meets a bit of Milk, with a lot of Catfish. It’s a story of civil unrest under a dictatorship told through a somber love story: two women meant for each other, with half a world between them – Sandra in Montreal and Amina in Damascus. Six…
By: Addison Wylie I can easily sell you on Relative Happiness by describing Melissa Bergland’s dynamite performance. She’s spunky and wise, manages an adorable Bed and Breakfast in Nova Scotia, and her sense of humour is quick-witted towards those who condescend her. She takes the audience’s attention and commands the screen. I wish it was that easy to describe Deanne Foley’s lukewarm dramedy. Mostly because of a deceptive bait-and-switch at the halfway hump which converts…
By: Addison Wylie Fresh off its stardom at the Canadian Screen Awards after earning nominations for Best Picture, Best Adapted Screenplay, and Best Original Score, the general moviegoing public gets to see if Cast No Shadow lives up to the hype. I congratulate director Christian Sparkes and his team on the nominations, but Cast No Shadow didn’t work for me. Slivers of ideas are buried under the uneven tone of the film. If you disregard…
By: Addison Wylie The 2015 WIFT-T Showcase is an enlightening selection of eight short films made by Canadian women. The screening taking place at Toronto’s classy Royal Cinema makes for a splendid time out, and will surely restore faith in audiences trying to shake off early year moviegoing stupors. Out of the eight films, I’ve seen half. And, if the films I watched reflect the rest of the submissions, the quality will be mostly consistent….
By: Addison Wylie Earlier this year, I gave I Put a Hit on You an unfavourable review. This led me to believe that making a compelling comedy about snippety people bumming around their house was impossible. Mars Horodyski proves me wrong with Ben’s at Home. This film is funny and fully realized, successfully capturing an introvert’s post-breakup buffer period. Ben (played with wit by Dan Abramovici) chooses to stay housebound because he’s satisfied with personal…
By: Addison Wylie Standstill seems straightforward enough with its plot involving a photographer overhearing and witnessing the brunt of a murder. However, I believe, a lot of Majdi El-Omari’s story is up for interpretation. Movie goers will pull details out of El-Omari’s screenplay and apply them to their own vision of Standstill. Elements of mysteries and road movies ring throughout the black-and-white movie. Arihote (played by Atewenaron David Dearhouse) gives Wedad, the perplexed Palestinian murderer,…
By: Addison Wylie Big News from Grand Rock is a petite Canadian comedy with petite laughs about a petite town where nothing really happens. Grand Rock’s friendly and carefree community is always seen smiling and wishing healthy salutations to each other. While this may be nice for people living here, it’s dull for those who work for the local newspaper. They have nothing significant to report on. Leonard Crane, a local try-hard journalist, tries to…
By: Addison Wylie To say Wolfcop is howlingly bad would suggest that (a) the film is terrible and (b) Lowell Dean’s horror film has a sense of humour. Only one of those is correct. Wolfcop has a concept – that’s all. That concept being a police officer who transforms into a grotesque werewolf, yet still protects the streets. It’s a character that has trouble stimulating a five-minute conversation around the water cooler let alone having…