Possibly influenced by Rachel Getting Married and August: Osage County, writer/director Roz Owen makes her feature film debut with Trouble in the Garden, a condensed drama about a family’s black sheep returning “home” to unexpectedly face her conflicted past.
Pogey Beach offers a predicament: it’s a comedy that’s not necessarily funny, but you’ll still laugh for the right reasons. Jeremy Larter’s slacker comedy will put the viewer in more of a fugue state than sun stroke ever could.
Chilly character drama Cardinals revolves around a trauma that ends in death and a prison sentencing. And while it appears justice has been served, interest flares up when suspicions drudge up the past.
Television writer Katherine Schlemmer makes her first splash as a filmmaker with The Death (and Life) of Carl Naardlinger. And if you think that name is even remotely funny, then Katherine is happy you bought a ticket for her film. If you don’t, you best mosey into the next theatre.
After 17 years, the sporadically-anticipated sequel to the 2001’s Super Troopers has pulled into cinemas. Written and starring the Broken Lizard comedy troupe (Jay Chandrasekhar, Paul Soter, Steve Lemme, Erik Stolhanske, Kevin Heffernan) and directed by their very own Chandrasekhar, Super Troopers 2 is what you would expect from a sequel of a cult classic.
Another WolfCop is a fury of fun, and this is coming from someone who hated the first movie. Talk about a switcheroo.
Set in the Roncesvalles neighbourhood of Toronto, Great Great Great is the story of Lauren (Sarah Kolasky) and Tom (Dan Beirne), a couple in their early thirties whose relationship is coasting along steadily despite Tom’s inability to find steady employment as an urban planner. Nothing about Lauren and Tom‘s life is particularly awful: they eat food, they go to the gym, they have relationships with friends and family. Everything begins to fall apart when Lauren‘s parents…
Writer/director Pat Mills follows up his 2015 comedy Guidance with the equally hilarious Don’t Talk to Irene. However, his latest flick is certainly cut from a quirkier cloth, but that doesn’t make it any less sarcastic. It’s certainly one of the funniest films of the year.
A documentary about The Tragically Hip’s Man Machine Poem Tour needed to be made. After all, it was a pivotal imprint in modern Canadian culture as the entire nation collectively considered the band’s timeless legacy and paid respects to terminally ill musician Gord Downie. Finding filmmakers to handle such sensitive subject matter would be an intimidating order, yet Jennifer Baichwal (Watermark) and Nicholas de Pencier (cinematographer on The Ghosts in Our Machine) rise to the occasion and exceed…
By: Jessica Goddard Kathleen Hepburn’s Never Steady, Never Still is a serious, greyscale, dragging meditation on subjects so inherently sombre, it’s practically masochistic to sit through the whole film without allowing yourself a break.