Written and directed by Nicole Dorsey, Black Conflux gets many things right. Aesthetically, it is a compelling film that makes use of visual motifs to link the lives of two very different characters.
Written and directed by Ryan Noth (No Heart Feelings), Drifting Snow depicts a rural Ontario winter in all its frozen glory. But, tangled timelines and poor pacing hinder what could otherwise be a compelling drama.
I Propose We Never See Each Other Again After Tonight has an ungainly title but, luckily, the film’s memorable efforts are more than distracting.
The Kid Detective has done the best job, in recent memory, explaining why a mystery’s leading sleuth is such a sad sack. The enigmatic and eccentric personality has become such a cliché in the genre, that the audience just expects and accepts the detective to be grizzled, or unhappy, or an unpredictable hot head. In The Kid Detective, Abe Applebaum (Adam Brody) carries those traits, but writer/director Evan Morgan provides compelling motivation which fuels Brody’s top-form…
Never Be Done: The Richard Glen Lett Story is a fantastic example of true documentary filmmaking.
By: Jolie Featherstone Red Rover is a story for anyone who has felt unseen, unloved, and unworthy in a world where artifice and branding are systemically rewarded.
At the same time John Turturro’s Big Lewbowski spin-off The Jesus Rolls bowls into theatres, a more faithful adaptation of the Coen Brothers’ style and wit is released – Albert Shin’s Disappearance at Clifton Hill.
Walking home on a dreary day in Vancouver, Áila (Elle-Máijá Tailfeathers) finds herself in the middle of an altercation between a surly man and a meek Indigenous woman. The woman, Rosie (Violet Nelson), has been roughed up. With instinctual grace and with Rosie’s permission, Áila steps in and separates Rosie from this argument, and invites the stranger into her house for safety and comfort.
By: Trevor Chartrand Based on a true story, Brotherhood is a harrowing tale of survival that recounts the tragedy beset upon a boy’s summer camp in Balsam Lake, Ontario in 1926. On the night of July 20, thirteen boys and two camp counsellors set out to cross the lake in a canoe to gather food and supplies for the camp. They encountered high winds that capsized the boat, leaving them floating in the cold water…
Somewhere during the making of this film adaptation of Danny Schur and Rick Chafe’s period musical Stand!, the project was seriously mishandled. Robert Adetuyi’s film version sounds like it should be on stage and looks as if it was written and shot for daytime television.