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Reviews

Die Alone

Die Alone is the latest from WolfCop director Lowell Dean, but it’s a much more sombre effort from the Saskatchewan filmmaker.  Still firmly rooted in horror within an undead dystopia, Die Alone is a tricky thriller that challenges its characters in unorthodox ways.

Reviews

Backspot

My appreciation for Backspot moves like a teeter-totter.  While it’s worth congratulating the filmmakers for not giving in to sports clichés, the movie may have benefited from more melodrama.

Reviews

The King Tide

Newfoundlander director Christian Sparkes (Hammer) seems as though he dipped into A24’s back catalogue to draw inspiration for his effective east coast chiller The King Tide. While there may be stylistic similarities to David Eggers’ work (The Witch, The Lighthouse) and Ari Aster’s movies (Hereditary, Midsommar), Sparkes’ ominous dramatic thriller doesn’t necessarily resemble Canada’s usual output. At least, not since Denis Côté’s Ghost Town Anthology.

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The Movie Man

The Princess Diaries The Dark Knight The Secret Life of Pets Mission: Impossible – Fallout These are the four movies I’ve seen at Highlands Cinema in Kinmount, Ontario.  Four completely different movies with a ubiquitous moviegoing experience; provided by the theatre, its staff, and owner Keith Stata.  It’s only fair to present my bias before reviewing The Movie Man, Matt Finlin’s documentary about Stata’s legacy and the history of his DIY multiplex.  Located in the…

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Be Still

Based on the play of the same name by Canadian playwright Janet Munsil, Be Still is an experimental biopic about the work and emotional pain endured by Vancouver photographer Hannah Maynard.

Reviews

North of Normal

Based on the memoir North of Normal by Canadian author Cea Sunrise Person, Carly Stone’s drama of the same name is about a very interesting mother-daughter dynamic that’s been influenced by an unconventional upbringing and the ripple effect made by varying degrees of neglect.