Watching The Pasta Killer was a great experience. Not only did it reassure me of the power a great story can have over its audience, but it was nice to switch perspectives from a supportive friend to a fascinated movie goer.
By: Addison Wylie Terrence Malick is a filmmaker who marches to the beat of his own drum. His unorthodox work has made audiences ponder, and his unique direction and screenwriting has challenged the actors he’s worked with. He’s certainly a one-of-a-kind with a sixth sense for beauty. I imagine collaborating under his mentorship would provide an artful view of how to express yourself using poetic language and imagery. However, the point of being a protege…
By: Addison Wylie TIFF Cinematheque opens up a wonderful world of weird with Strange Paradise: The Cinema of Jim Jarmusch. The retrospective – which began on July 24 and runs until August 16 – screens Jarmusch’s unique filmography in pristine condition at the TIFF BELL Lightbox. The scheduling of the program jumps around, so faithful watchers are never following the career in chronological order. Something tells me this quirk is much like Jarmusch’s unpredictable sensibilities. Wylie…
By: Addison Wylie The concept of a devout character finding out their secret past is always going to be an intriguing premise – especially when the unexplored involves religion. That’s what happens to Anna in Pawel Pawlikowski’s Ida. Before she takes her vows of being a nun, Anna’s urged to meet with her only living family member. She sets out to meet her estranged Aunt Wanda, and fortunately does. She’s informed by her agitated Aunt…
By: Addison Wylie Unique. That’s the word I’d use to describe Andrew Bujalski’s Computer Chess, an utterly ambitious film about a competition featuring duelling men (and a woman) and their computers as they square off in a round robin of chess. Bujalski is ambitious in the way that he’s trying to make an entertaining movie about nerdy technicians and their comprehension of chess and their machines. But also, because he’s shot his film using Sony…
By: Addison Wylie I remember starring in a high school play, a play that shall remain nameless, where I didn’t know what was going on. Not in a way that I was passed out and my body was strung up resembling a Weekend at Bernie’s scenario; I legitimately did not know what the play was about, my character’s motivation, or what it all meant in the grand scheme of things. Being that the play was…