7 Splinters in Time advances from a well-timed reveal. It’s a wordy spiel of exposition delivered by the dependable and always admirable character actor Austin Pendleton, but it’s a scene that justifies the film’s frenetic style and narrative; turning incomprehensible details into awesome creativity.
News of an upcoming feature from filmmaker Patrick Read Johnson (who had previously directed mid-90’s comedies Baby’s Day Out and Angus) lit up the Internet in the mid-2000s with a fantastic trailer set to music by ELO and Jon Brion. The trailer, centred around an awkward teenager in the 1970s anticipating a unique blockbuster called Star Wars, dropped when I was in high school and working at a video store. However, the film went silent…
