Movie goers may instantly attribute Audrey Cummings’ Place of Bones with fellow westerns, but theatre aficionados may lean more towards low-end productions with sloppy offerings. As someone who finds themselves in the intersection of both groups, Place of Bones pulls me towards my fellow theatre nerds and that, well, sucks.
She Never Died is not really a sequel to 2015’s He Never Died. Think of it as a story that could exist in that same universe that plays by the same rules.
In 2014, at the Blood in the Snow Film Festival, I had rather exciting things to say about director Audrey Cummings. The film she screened was her feature film debut, Berkshire County, and while it treaded common ground, she at least showed enough awareness to spin clichés into something new.
As movie goers prepare for the season’s holiday offerings, horror fans buckle up for a round of Canadian talent at this year’s Blood in the Snow Film Festival. The festival, founded by Kelly Michael Stewart, features the cream of the genre crop. Blood in the Snow’s selections range from unsettling slow burns to the visually grotesque. It’s a competently passionate showcase that gives indie filmmakers a fantastic opportunity to premiere their work, and hands audiences a rare…