Art has been known to be so vivid and realistic that it can leap off the page, the canvas, et cetera. That saying becomes quite literal for psychotherapist Ruben Brandt, who is experiencing surrealists nightmares of famous paintings torturing him. In order to confront and conquer his fears, Brandt makes a bold choice to steal and obtain each work of art that haunts him, therefore being in full control of whatever is “out” to get…
The Image Book is nonsense that gives experimental cinema a bad name. If a comedy had to spoof an “artsy” movie that’s “a little bit out there”, the filmmakers would try and emulate the ludicrous decisions Jean-Luc Godard makes in his latest “movie”. They might as well play portions of The Image Book instead of writing anything.
The central question at the core of Nathaniel Kahn’s The Price of Everything is how importantly, or inherently, is money connected to art? The answer reveals itself through the understanding of artists, historians and dealers, with that importance going higher as monetary power does. In other words, this documentary ultimately makes two points: art is inherently financial, and capitalism will slowly but surely cause the demise of it.
A new documentary called Maker of Monsters: The Extraordinary Life of Beau Dick was formally titled Meet Beau Dick. The older title is fitting because, over the course of 90 minutes, that’s exactly what the audience does thoroughly. I assume the name change was for keepsake purposes since Beau Dick passed away last year at the age of 61. But no matter what it’s called, Maker of Monsters is a good movie. Standardly structured, but an honourable film…
Faces Places has more charm in a single frame than most movies carry in an-hour-and-a-half. For that quality alone, it’s amazing.
By: Trevor Chartrand Striking and unconventional, The Square successfully combines comedy with intense drama to create an unforgettable satirical gem.
Loving Vincent wants you to focus hard on the six-year process it took to make this movie. This oil-painted film is the first of its kind, with over 100 artists (including Canadian Valerie Fulford) painstakingly painting over 65,000 frames to make a cohesive cinematic work of art. Each frame is in the signature swirly style of tortured painter Vincent van Gogh.
There’s an art project titled White Night. It’s a collaborative between five filmmakers (Sonny Atkins, P.H. Bergeron, Brian Hamilton, Matt Purdy, Dan Slater) and it chronicles six fictitious stories during Toronto’s Nuit Blanche – an all-nighter dedicated to art. One of the characters, a struggling artist named Emily, contributes a cumbersome piece made entirely out of stacked cardboard boxes. People pass by and heckle at it, while Emily fumes and eventually releases the tension through a…
The craft of brilliant costume designers and make-up artists can transform the most recognizable actors into strangers. Such is the case for Manifesto, a one-woman-show featuring two-time Academy Award winner Cate Blanchett portraying 13 different roles. Of course, the production is also lucky to have one of the greatest living actors at the forefront. However, what Manifesto also displays is that sometimes the best artists overshoot their target.
The ReelAbilities Film Festival returns to Toronto on Wednesday, May 10 after a successful debut. The festival, centring around noble stories of disability cultures, will screen feature films and shorts around the city until Thursday, May 18.