By: Addison Wylie Stylistically, The Double is – so far – the best film I’ve seen all year. Richard Ayoade – an indie filmmaker who you may have recognized as “that random guy with the hair” on posters of 2012’s The Watch – brings a creation that does exactly what a film should do. The Double transports viewers to another world. Ayoade has built industrialized settings that emulate a rigid dream. The filmmaker also uses…
By: Addison Wylie The realism in Stranger by the Lake (or, L’Inconnu du lac) is what initially draws audiences in. It’s paced deliberately slow to match life’s sunny tranquilities, and the cruising men who attend this private beach looking for a getaway and the occasional hook up come across as real people. Stranger by the Lake is uneventful for the most part, but its serenely baked atmosphere is musing. Once a dangerous dramatic turn comes into play, that…