By: Addison Wylie Legendary animator and filmmaker Bill Plympton explores the human condition to hurt what we love in his latest poignant piece, Cheatin’. It’s full of emotional fervour and sensitivity while coming equipped with the filmmaker’s signature brand of off-beat humour. It all starts at a carnival during an amusing, scary bumper car ride – of course, it does. Ella is gawked at by the fair’s male population, and is seen as an obvious…
By: Addison Wylie Nickelodeon’s absurdist behaviour and its brand of transgressive humour have driven some parents crazy. However, it’s a unique knack that has struck hilarity with viewers who were considered Generation Y, or 90’s kids. Nick’s bizarre reality is what gave many of their television shows their edge, and most programming were not willing to push the absurdist envelope as far as Nickelodeon would. The station has cooled its jets as of recent with…
By: Addison Wylie The Planes franchise is not for me. However, I’m not a seven-year-old boy who’s obsessed with airplanes and other miscellaneous aviary vehicles – the demographic these films are so clearly for. That’s not to snub the seven-year-old boy who likes to play with toy airplanes in his parents’ living room. Being a kid is a great time and should be cerished. There’s a lack of responsibilities, you have no dire worries, and…
By: Addison Wylie Sometimes, films directed at children – very, very young children – can be recommended based on how bright the visuals are. If the entertainment isn’t stimulating through its story, the film will at least stimulate the senses through its colour palette. That’s sort of the case with The Hero of Color City, a mediocre kids film with not a whole lot to offer. Frank Gladstone’s kiddie film is possibly the most literal…
By: Addison Wylie I’ve enjoyed covering the TIFF Kids International Film Festival in the past, but this year was especially cool. This marked the first year for any festival where I obtained an industry pass. The TIFF Kids Industry pass entitled you to sit in on exclusive conversations, workshops, keynotes, and Q&A’s. The team behind the festival made sure they delivered on guests who could provide truthful insight about the world of filmmaking and…
By: Addison Wylie I have a theory about animated films aimed towards children that are headlined by The Weinstein Company. And, The Nut Job gives me more material to work with. The Nut Job further solidifies my opinion that: the Weinsteins are severely out of touch with the youth of today, they think your children are dolts who will lap up anything animated, and they think you – the parent – are nothing more than…
By: Addison Wylie William Joyce and Brandon Oldenburg return to TIFF Kids. This time, they’re not here to make me blubber like a baby (see: The Fantastic Flying Books of Mr. Morris Lessmore). The filmmakers are here to make me laugh and impress me with wit. Based on an iTunes app also called The Numberlys, the short film features five employees who are fed up with creating the same boring numbers at their factory job. One…
By: Addison Wylie Knight Rusty is a terribly hard movie to warm up to. Mostly because it comes across as a padded-out episode of a television cartoon that would barely have enough steam to punch out at 22 minutes. What’s worse is that Knight Rusty plays as one of the weaker adventures during one of the final seasons when the creators have started recycling ideas and effort. Right off the bat, moviegoers are thrown into…
By: Addison Wylie While it may not be one of the more memorable animated features in recent memory, Mr. Peabody & Sherman gives audiences a respectful amount of inventiveness and good humour. Making a splash during classic Rocky and Bullwinkle cartoons, time travellers Mr. Peabody and Sherman would rapidly entertain within a short period of time. I always remembered these segments for their agility and their knack to glide across history using blink-or-you’ll-miss-’em tactics. The…
By: Addison Wylie In any other situation, The Lego Movie would’ve been used as a promotional tool to shill out a new line of toys to wide-eyed youth while parents have premonitions of their wallet getting lighter by the second. Luckily, filmmakers Phil Lord and Christopher Miller – who were responsible for the surrealist Cloudy with a Chance of Meatballs adaptation and the hilarious 21 Jump Street reboot – to shut down that possibility completely. If you…