Alexandra Daddario

Reviews

Lost Girls and Love Hotels

Directed by William Olsson and written by Canadian author Catherine Hanrahan (adapting from her semi-autobiographical novel of the same name), Lost Girls and Love Hotels follows Margaret (Songbird’s Alexandra Daddario), an American with a steady job in Tokyo who fills in her loneliness with alcohol, one-night-stands, and kinky sex.  One evening, she crosses paths and has a sincere connection with a stoic gentleman named Kazu (Takehiro Hira).  Kazu doesn’t feel as enamoured as she does at first…

Reviews

Songbird

For a movie to be inspired by or use a real-life tragedy as a primary factor in its story, the filmmakers have to justify their utilization well.  Not only does Songbird fail to do this, a film using an ever-evolving case of COVID-19 as its crux, but Adam Mason’s movie proves that there shouldn’t be a film centring around this pandemic (or something like it) for a very, very long time.  Educational tools (Totally Under…

Reviews

We Summon the Darkness

The year is 1988.  Floods of teenagers flock to a Midwestern heavy metal concert despite controversies sparked by unidentified Satanists on a murder spree and the region’s fearmongering Bible Belt.  A trio of rowdy friends (Alexandra Daddario, Maddie Hasson, Amy Forsyth) have a run-in with a group of aspiring metal musicians (Keean Johnson, Logan Miller, Austin Swift).  Both parties have a rocky start with each other, but the head-banging camaraderie in the air is enough…

Reviews

Baywatch

I’ve been patient and forgiving with filmmaker Seth Gordon (who began his career with 2007’s acclaimed arcade doc The King of Kong) because I can see he’s slowly amounting to be a dependable director.  Despite the abysmal and mean comedy Identity Thief, he’s usually able to drum up a lot of laughs with small casts (Four Christmases, Horrible Bosses, TV’s The Goldbergs).  I suppose he’s been itching to branch out, but Baywatch was the wrong way…

Reviews

Texas Chainsaw 3D

By Addison Wylie As far as sub-standard horror goes, Texas Chainsaw 3D is as by-the-numbers as scary movies go; if you skim the surface. However, I think John Luessenhop’s film is smarter than it looks and deserves more credit than it’s throwaway January release date gives it. Texas Chainsaw 3D takes us to the beginning of the long-running story; except this time, it wishes to wipe the slate clean. This sequel to the original Texas…