This season, so far, has been unpredictable in terms of audience approval.
By: Leah Kuperman In Darkness stars a blind protagonist who gets caught in the violent crimes of the London underground. Writer/director Anthony Byrne (BBC’s Peaky Blinders) offers viewers a gripping film with ample twists and turns but most interesting, however, was the way his movie portrayed the life and disability of its protagonist.
In January, I declared Monolith as one of the dumbest movies I’d have ever seen; despite it being an entertaining flick. I secretly felt that no other movie released in 2018 could top its foolishness. Little did I know Rob Cohen’s disaster movie The Hurricane Heist was waiting around the corner, ready to blow me away.
By: Trevor Chartrand It’s refreshing to see original scripts can still make their way to the big screen! Between the endless tirade of superhero movies, novel adaptations, sequels, remakes, and reboots, it’s rare to see something that’s actually fresh. Films aren’t often greenlit without a built-in fanbase – and even when they are, they rarely rise above mediocrity. Thankfully, this isn’t the case with Drew Pearce’s Hotel Artemis. The film isn’t going to revolutionize cinema…
Deadpool 2 plays within the same flashback narrative and irreverent sense of humour that made its R-rated predecessor a hit. The new changes are behind the camera, with director David Leitch (John Wick, Atomic Blonde) picking up where Tim Miller left off.
By: Nick van Dinther Cartel 2045 was originally scheduled to be released three years ago. After years of tweaking and editing, it’s now available on VOD and Digital HD, but it still seems unfinished.
Revenge is a clever action/thriller, but it doesn’t always abide by logic.
By: Nick van Dinther From the very first scene in Den of Thieves, it becomes fairly obvious that this is not going to be your typical shoot ‘em up popcorn flick. It’s actually a smart, well written, edge-of-your-seat thriller that defies all expectations.
The Commuter, the new film from celebrated cross-genre filmmaker Jaume Collet-Serra, pairs the acclaimed vulgar auteur once again with Liam Neeson (following 2011’s Unknown, 2014’s Non-Stop and 2015’s Run All Night) to deliver a thrilling high concept action film with timely yet flawed social commentary.
By: Trevor Chartrand Kill Order is essentially a Crank film without the charisma or charm. It tries hard to be pulse-pounding and slick, but this punch-a-minute action flick is all fist and no fury. Given the film’s structure, it’s not surprising to learn writer/director James Mark has a lot of stunt department work on his resume, including action-driven films like Jumper and Pacific Rim. Kill Order favours style over substance, desperately stringing a series of…