By: Addison Wylie In Bad Johnson, heartthrob Cam Gigandet plays Rich, a womanizing jackass who finds himself in predicaments when pleasing his manly needs. He cheats on girlfriends, checks out T&A, and forgets women he’s gone to bed with. According to the film, some of this is charming – usually when Gigandet is smirking and trying to woo. Alas, Rich’s mojo becomes too much of a burden. In frustration, he wishes away his penis. The…
By: Addison Wylie If I have one positive to say about Matthew Pollack’s autobiographical documentary, it’s that the film is rightfully titled. By the end credits, I didn’t want anything to do with Pollack. I actually wished I hadn’t bothered with this icky film in the first place. Run Run It’s Him is supposed to serve as a coping tool and a means of comprehension for Pollack with his obsessive addiction to pornography. Matthew’s fascination…
By: Addison Wylie As someone who has never set eyes on the cult television hit Veronica Mars and knows extremely little detail as to what took place on the show, the film puts me in an unusual spot for this detective’s feature film debut. Rob Thomas’ film is bound to please any fan who’s been begging for a Veronica Mars reunion, but the real test is how it stands as its own movie. Can outsiders…
By: Addison Wylie While it may not be one of the more memorable animated features in recent memory, Mr. Peabody & Sherman gives audiences a respectful amount of inventiveness and good humour. Making a splash during classic Rocky and Bullwinkle cartoons, time travellers Mr. Peabody and Sherman would rapidly entertain within a short period of time. I always remembered these segments for their agility and their knack to glide across history using blink-or-you’ll-miss-’em tactics. The…
By: Addison Wylie In any other situation, The Lego Movie would’ve been used as a promotional tool to shill out a new line of toys to wide-eyed youth while parents have premonitions of their wallet getting lighter by the second. Luckily, filmmakers Phil Lord and Christopher Miller – who were responsible for the surrealist Cloudy with a Chance of Meatballs adaptation and the hilarious 21 Jump Street reboot – to shut down that possibility completely. If you…
By: Addison Wylie 3 Days to Kill pairs action veteran Luc Besson with the imperious directing efforts of McG. The two filmmakers have unmistaken love/hate relationships with movie goers, but it’s clear that these men have strengths in specific areas. Besson has shown audiences how action can be exciting with jaw-dropping stunts, and McG knows how to capture an explosion. The latter may sound underwhelming compared to Besson’s clout, but “flash” is McG’s forte. Their…
By: Addison Wylie By definition, Paul W.S. Anderson is a filmmaker. In my eyes, he’s not a very good filmmaker, but he’s been able to create brainless successes. His latest blunder Pompeii is by definition “mindless entertainment”. The film follows similar conventions that were used in his Resident Evil adaptations, and he crosses his fingers hoping people will eat it up all the same. It’s expected people will walk out of Pompeii passively shrugging off…
By: Addison Wylie When the only bad thing about your feature film debut is its marble-mouthed title, it’s a sign that your ambitious film is close to being sublime. When you get past that weak title, AKP: Job 27 is a really good time at the movies. It treads trodden ground by being centred around a private hitman on a mission in unfamiliar territory (the territory being Toronto), but its Michael L. Suan’s vision of…
By: Addison Wylie I don’t know what possession is more crucial and harmful: the ones that occur in Here Comes the Devil within the Tijuana cliffs or the wrestling match between mature horror and fanboy immaturity that litters the film’s screenplay. Adrián García Bogliano’s horror is one of those movies where audiences can tell there are heavy influences driving the film. It’s also one of those movies where these homages don’t simply stay on the filmmaker’s…
By: Addison Wylie Movie goers will always remember the big boom of modern vampires and their iffy lore. Some appreciated what Twilight executed with their movement, while others wished the movement had been executed altogether. That said, I believe we can all agree that fantasies about brooding creatures of the night have had their time in the spotlight and are now starting to peter away slowly. It was like witnessing an out-of-control party scamper off…