By: Addison Wylie Every so often, a tall glass of ridiculousness helps break up moviegoing monotony. Some filmmakers have tried their hardest to makes escapist entertainment, and have instead delivered films that were too heavy on lunkheaded machismo. Gary Fleder’s Homefront had come in under the radar – or, so it seemed to me. Since it stars Jason Statham as the lead, it fell into that vaguely generic category most people seem to group Statham…
By: Addison Wylie Why is it that Out of the Furnace has so many accomplishments going for it, yet it’s an impossible recommendation? Telling someone to watch Out of the Furnace would be like telling someone to hold a bunch of wild snakes and assuring them they won’t get bit. Scott Cooper’s thriller is one of those movies you appreciate a few hours after having watched it. Viewing Out of the Furnace for the first…
By: Addison Wylie Now that we’ve recognized the bad movies that were slingshot at audiences last year, it’s time to move on and engulf ourselves in the cream of the crop. 2013 introduced a wide variety of great films to audiences. I feel like I say that every year, but as I scour my selected picks, the only thing these movies share are the odd genre they’re grouped in. Take documentaries, for example. Audiences were…
By: Addison Wylie As the Oscars approach this Sunday, the time is finally here to reflect on 2013 through a pair of lists – my picks of the best and the worst. Let’s get the duds out of the way to make way for the flicks that’ll be remembered for years to come. 2013 introduced me to a new type of “bad”. It was a sub-version spawning off of the type of hatefulness I only…
By: Addison Wylie It was nice to see a young adult book series stick to its gritty tone and not feel the need to make it lighter for a mainstream audience. That’s exactly what The Hunger Games did with its first venture to the big screen. It did, however, succumb to attributes that felt reminiscent to other franchises with a widespread teen audience. One of these beats being complications with affection between two strapping young…
By: Addison Wylie Everyone knows of Richard Curtis’ work one way or another – usually more so with a predominant female audience. Those women have usually caught these films when they’ve wanted to watch a cute chick flick with friends or they’ve caught the films on television during a cozy night in. Fellas, most of you have likely been dragged – er, have volunteered – to watch these romances with significant others. I may sound…
By: Addison Wylie “Bittersweet” is the best word to describe Her. Spike Jonze has taken our bad habits with technology and projected them to frame an original love story with messages of poignancy. It’s a personal film about an impersonal society. The characters on-screen are closed off to everyone around them. Among them is writer Theodore Twombly (played by Joaquin Phoenix who is a spitting image of Napoleon Dynamite’s “womanizing” brother Kip). People are enjoyably…
By: Addison Wylie As far as films with an ensemble cast go, August: Osage County is among the best. Its star studded line-up filled out by Meryl Streep, Julia Roberts, Ewan McGregor, Chris Cooper, Juliette Lewis (just to name a few) is enough to get movie goers in seats. What pays off even more are the exceptional performances during the constant sparring between these highly dysfunctional family members. The Westons have a large family and…
By: Addison Wylie You have to hand it to Martin Scorsese. At age 71 with dozens of classics under his belt to which he directed, he still has the courage to make a provocative fireball of a movie like The Wolf of Wall Street. The Wolf of Wall Street chronicles the fast track lifestyle of real life wall street broker Jordan Belfort. Belfort is played by Leonardo DiCaprio, who soaks in the shadiness with a…
So far in this series on Wylie Writes, re-watching Parkland has been the closest I’ve come to agreeing with the other side of the fence. However, I won’t be persuaded so easily. Peter Landesman’s drama Parkland, a film documenting the day of John F. Kennedy’s assassination and the next few days that followed it, has plenty of accomplishments. Landesman’s ability to capture 1960’s period detail is spot on, and there no sign of fabrication when the film…