By: Trevor Chartrand Demonic is the most recent directorial effort from District 9’s Neill Blomkamp, and it’s a film that takes a fresh look at an otherwise tired and stale genre – the exorcism movie. Set in a contemporary world, Demonic would seamlessly fit into the Black Mirror series as an ominous cautionary tale of technology and its potential terrors. Rather than robotic military dogs or contact lens cameras though, the dangerous tech in this film…
By: Trevor Chartrand Despite the promise of a wacky premise, Roller Squad disappoints. Its ambition and potential is overshadowed by a weak execution overall. In fairness, Berty Cadilhac’s movie may appeal to pre-teens looking up to some “rad skaters” and, I suppose, makes a good jumping-off point for young imaginations to build a world around. But as for the film itself, this series of goofy events featuring bumbling characters is ultimately a dud.
By: Jolie Featherstone A good ol’ monster movie meets dimy-lit-wood-panelled whodunnit, Josh Ruben’s Werewolves Within offers a modern take on the creature feature that is equal parts quirky and charming.
By: Jolie Featherstone Shelly Love’s feature film directorial debut A Bump Along the Way is an emotionally intelligent dramedy about a mother and daughter coming-of-age together at different points in their lives.
By: Trevor Chartrand A brilliant slice-of-life comedy, The Outside Story is a charming and lighthearted little film. This day-in-the-life movie tells the story of Charles Young (Hotel Artemis’ Brian Tyree Henry), an introverted video editor who’s down in the dumps after splitting up with his ex. After accidentally locking himself out of his apartment, this homebody is forced to stop and smell the roses in his neighbourhood for the first time since he moved in. While…
By: Trevor Chartrand Director Stacey Lee raises some important questions in Underplayed, a documentary about diversity in the music industry. Specifically, the film focuses on electronica (or dance music) and the women who make it. Often left behind on a concert schedule predominately populated by men, these artists are underappreciated and underrepresented, especially in this particular genre.
By: Trevor Chartrand Based on a true story, 398 Days: Hostage is the harrowing account of a Danish photographer captured, tortured and held hostage in Syria for over a year. Young and ambitious, our protagonist Daniel Rye Ottosen (Esben Smed) is an Olympic contender with the Danish gymnastics team, until a knee injury shatters his dreams of pursuing the gold medal. Short on prospects and in need of work, Daniel starts his career over with…
By: Trevor Chartrand Director Wendy Morgan has made an interesting and thought-provoking film with her drama Sugar Daddy. The movie features the story of Darren, an aspiring musician who joins a paid dating service to make ends meet until her music career takes off. While acting as arm candy for wealthy older guys at high society functions is by no means prostitution, Darren struggles with her own self-worth and the moral implications of selling herself…
By: Trevor Chartrand Irreverent, crude, absurd and insane, Donny’s Bar Mitzvah is a bizarrely entertaining comedy that somehow manages to function coherently – while at the same time doing everything wrong. The film is certainly funny, bordering on hilarious, but incredibly immature. Keep the kids out of the room for this one, folks.
