By: Trevor Chartrand Director Mani Nasry has made a very personal film with We, and it’s certainly commendable, brave even, to see how transparent this young director has been in making the film – I suspect we’re getting a deep look into his mind, his personal philosophies and hardships. Nasry and his crew deserve a lot of respect for what their film is trying to do – however the finished product is far from flawless.
Articles by Wylie Writes Staff
By: Jessica Goddard Touching, sincere, and surprisingly universal, Jon S. Baird’s Stan & Ollie is a sensitive look into the last tour of legendary comedy act Laurel and Hardy. Built on wonderful performances from Steve Coogan and John C. Reilly as Laurel and Hardy respectively, the biopic has wonderful range – from the tender or vicious exchanges to the subtle but magnetic moments when the pair perform on stage as a duo.
By: Jessica Goddard A perfectly harmless buddy film with charming performances from an A-list cast, The Upside weaves compelling drama with light comedy.
By: Trevor Chartrand Written and directed by Jon Keeyes, The Harrowing is a supernatural thriller that lacks nail-biting tension and edge that would keep viewers hanging on every word. Despite some decent visual effects and cinematography, the film fails to truly inspire fear from its audience.
By: Trevor Chartrand Director Ethan Hawke’s country music biopic Blaze leaves a lot to be desired – with a lot of atmosphere and not much narrative, this film is meandering and weak. To some, the film could perhaps be considered an abstract poem, akin to the music stylings of the late Blaze Foley, which I suppose should be commendable. However, given the more obscure nature of this film’s subject, the storytelling gaps will leave audiences…
By: Jessica Goddard Mid90s is a coming-of-age period piece, chronicling how a mild 13-year-old boy finds acceptance and belonging with a reckless crowd of skateboarders. Our pint-sized protagonist, Stevie (Sunny Suljic), perfectly captures the in-the-middleness suggested by the title – we can’t help but see a child when he’s next to his older (taller) friends, but the mischief he gets up to makes him feel much more adult than we’re comfortable with.
By: Trevor Chartrand On the internet, rumors and stories spread wildly, and most people are logical and cautious enough to question everything they read online. Folks often dismiss fantastical, source-less narratives because, come on, that never could have happened, right? Well, maybe not. A new documentary titled The Bill Murray Stories: Life Lessons Learned from a Mythical Man examines one of these online rumors and proves that there’s some validity here – so maybe we…
Extracurricular (DIR. Ray Xue) As the Canadian pop-punk band Sum 41 once sang, “motivation, such an aggravation.” That seemed to be Ray Xue’s complaint as well when he was directing Extracurricular, which is the only way to explain why anything in this film happened. Long time readers may recognize the number one rule of TAD: if a film is having its world premiere here, it will be terrible. This is not a knock against any of…
By: Trevor Chartrand Apatow-comedy veteran Jonah Hill has diversified his career path considerably in recent years, taking on darker and more intense roles. Now he’s taken another step into new territory, this time helming a film from behind the camera: Mid90s is Hill’s directorial debut, and it’s chock-full of surprises.
By: Jessica Goddard From director Felix Van Groeningen (The Broken Circle Breakdown), Beautiful Boy is an affecting, thought-provoking account of one family’s experience with the cyclical realities of addiction, recovery, and relapse. The story is told sensitively – though sometimes confusingly – through a fragmented, flashback-heavy narrative structure.