The Inhabitant (DIR. Guillermo Amoedo) Latin American cinema is in the middle of a great resurgence, creating some of the best works since the cinemas of poverty of the 1960s. On another hand, there has been an influx of supernatural home invasion films: thieves having to deal with demons who won’t let them leave, a torrent which deemed any new arrivals in the genre mundane. Using this dichotomy, one is left to wonder what the…
Articles by Shahbaz Khayambashi
At a time where democracy is in danger of losing its way, it is necessary to ask a few questions regarding the next steps towards putting democracy back on the right path, and whether democracy is even a system worth saving. Astra Taylor’s NFB-produced What is Democracy? attempts that feat but, unfortunately, comes up short.
Sergei Loznitsa’s The Trial documents exactly what happens when dictatorial governmental powers are allowed to flourish and continue without question.
Featured in the festival’s Wavelengths selection, Andrea Bussmann’s Fausto shows audiences why this particular programme is so important for a well-rounded TIFF experience.
There is a police parade walking down the street. Dozens of men in uniform are walking in formation, surrounded by revelers. Suddenly, Andy Kaufman pulls out a gun and shoots someone down. He is subdued and shot. With his last breath, he says “God told me to.” I have only seen one Larry Cohen film, and yet it managed to contain one scene which placed itself directly into my brain. Cohen has spent decades writing…
If you have ever read Vito Russo’s The Celluloid Closet or have seen the 1995 documentary based on the book, you would know quite well that Hollywood was full of closeted queer individuals working as actors, directors, producers and everything else; trying their hardest to live their truest lives, while also keeping the truth hidden. Scotty and the Secret History of Hollywood tells another side of that story.
TIFF returns for another year, pushed along by their Tuesday announcement of gala and special presentation films. This first slate has the same level of films that frequently find their way into the earliest announcement: films that will eventually be nominated for Oscars, or be ignored for Oscars, or find their way into hot take articles about how they should have been nominated for Oscars.
Golden Dawn Girls (DIR. Håvard Bustnes) Håvard Bustnes’ Golden Dawn Girls is a feature-length interview-of-sorts with several female relatives of Nikolaos Michaloliakos, the head of the far-right, Greek “social nationalist” party known as Golden Dawn.
Last year’s Kedi, one of the best films of the year, showed us just how much potential there is in cat documentaries. This year, CBC Docs attempted to follow that nascent tradition in Canada with Catwalk: Tales from the Catshow Circuit, a study of people and their pets who participate in such performances. And, yes, there’s a healthy dose of cute cat action.
Across the past couple decades, Armando Iannucci has repeatedly shown himself to be one of the most important voices working in comedy. Whether we are discussing his hand in the creation of Alan Partridge or his blatantly political work in The Thick of It and Veep, Iannucci has shown that he has his hand on the comedic pulse of whatever age he may be in. Now, he’s decided to take on a new experiment: a…