By: Addison Wylie Gerard Butler needs that “right” vehicle. He’s shown that he has a striking presence when he’s battling Persians and kicking messengers down wells in 300, but the actor has yet to play a charming post-300 role. The only references I have to cite are the awful comedies The Bounty Hunter and The Ugly Truth. Butler tried way too hard to get laughs while working with scripts that were MIA already and had…
By: Addison Wylie I had to pinch myself a few times during Christopher Nolan’s “epic” finale to his Batman saga entitled The Dark Knight Rises. I had to convince myself that not only was this well-crafted series coming to a close, but I also had to remind myself that I was sitting in a theatre watching one of the most disappointing and frustrating third chapters since The Matrix Revolutions. I’m going there, people. Strap in….
By: Addison Wylie I shouldn’t be exiting a theatre shrugging my shoulders and issuing “meh’s” after watching the much anticipated Life of Pi. It’s a movie with a massive magnitude of talent both in front and behind the camera, wild surreal imagery that I imagine is a trip in 3D (I saw it in traditional 2D), and a strong story of a young boy who’s beliefs in many religions helped him to survive on a…
By: Addison Wylie The power of suggestion is afoot in The Master. Not just in the film itself, but it surrounded the film’s promotion and lead-up to its theatrical release. With the mention of a cult and a leader confidently guiding followers through his “rational thinking and cleansing”, many linked Paul Thomas Anderson’s latest to Scientology and to L. Ron Hubbard, the creator of the infamous religion. It struck controversy around the film and the…
By: Addison Wylie Why is it that movies try so hard to find humour in LARPing? Lloyd the Conqueror, a comedy that was featured in this year’s Toronto After Dark Film Festival and will now be featured in a special theatrical run along with a VOD release, is the latest culprit of this confusion. LARPing, for those readers who may be unaware, is an acronym for Live Action Role Playing. It’s the hobby of building…
By: Addison Wylie The following is an unofficial transcript of how I imagine Director McG addressed his cast and crew before a shoot day on the set of the dismally empty romantic comedy-slash-action flick, This Means War. ********** DATE: Undisclosed TIME: Undisclosed LOCATION: Undisclosed…..but very glitzy. McG: Alright, everybody! Can I get everyone gathered over here around me before we get this show on the road? Beautiful, great! Everyone is here. My trusty crew and…
By: Addison Wylie Silent Hill: Revelation 3D is not only a bad movie, but I can’t remember the last movie that strived and strained so hard to find a purpose for existing. That may sound harsh, but it’s a sentiment that is constantly crossing your mind as you watch the latest instalment in a series that was doing perfectly fine with having only one movie in its holster. Let’s double-back to the first Silent Hill….
By: Addison Wylie It’s unfortunate to report that Hotel Transylvania is a disappointment. Even young children will pick up on how often this neat set-up is treated as a one-note joke. Hotel Transylvania has everything a kid could want from a timely Halloween release including oodles of monsters. Frankenstein (voiced by Kevin James), the Invisible Man (voiced by David Spade), a talking werewolf (voiced by Steve Buscemi), and a mummy (voiced by CeeLo Green) all…
By: Addison Wylie It’s hard to make a solid judgement on the indie hit Beasts of the Southern Wild. On the one hand, it deserves praise for doing what it does so well. On the flip side, it does what it does so well, that it becomes frustrating. Based on her one-act play called Juicy and Delicious, Lucy Alibar and director Benh Zeitlin adapt the story of survival after a tremendous flood for the big…
By: Addison Wylie Everyone has their own guilty pleasures when it comes to movies. I’m just glad mine also looks pretty and has a great soundtrack. I feel bad calling Dredd 3D a guilty pleasure because I don’t feel guilty for liking it. I liked it a lot, in fact. My affection for Pete Travis’ revamping of Judge Dredd isn’t solely rooted in its visuals – although they certainly are a strong point. Same goes…