By: Addison Wylie Gracie Otto’s The Last Impresario was a documentary I wanted to like. But, I simply had a hard time buying it. I like her film’s subject, Michael White, and I’ve grown to like a lot of the projects he’s produced.  I admire his eye for originality, and how far he bent his back to make sure provocative artists were heard.  He took underdog productions like The Rocky Horror Picture Show, Cambridge Circus,…

By: Addison Wylie Edge of Tomorrow owes some gratitude towards video game culture.  Doug Liman’s exciting movie emulates the entire process of playing a challenging level against inhuman hoodlums, failing it, and then having to repeat your steps.  It also searches through that option of having to find an alternate route in order to complete your mission. When people compare movies to video games, it’s usually to knock the film down a couple of pegs….