By: Addison Wylie Do you like having spare time, but find that you have TOO much of it? What do you do with it? How do you use it? Hi! It’s Addison with a brand new product for you called InAPPropriate Comedy, brought to you by director/co-writer Vince Offer. When he’s not selling ShamWOWs, Slap Chops, or Schtickies, he’s making movies. With InAPPropriate Comedy, he hopes to break down racial and sexual barriers to have…
By: Addison Wylie The Resurrection of Tony Gitone is a drama abut traditions, family, and friends – that is, if you can make it out over the yelling and excessive upstaging. Ultimately, that’s what makes Jerry Ciccoritti’s film a particularly annoying watch. Riding high off of a new gig as a leading male in a popular director’s upcoming movie and clutching an attractive big name actress, Nino (played by Fab Filippo) and his date Vanessa Luna…
By: Addison Wylie TV spots for the Dreamworks/20th Century Fox collaboration entitled The Croods describe the prehistoric family as “the first modern family” – I suppose, trying to connect this new animated family to a current popular commodity. It shouldn’t stoop that low because The Croods is a good film and has every right to stand on its own. Grugg (voiced by Nicolas Cage who sounds as if he’s been longing for an animated role)…
By: Addison Wylie Spring Breakers works in more ways than one. First of all, you can take Harmony Korine’s film at face value and perceive it as a lurid fever dream with a loose story integrating elements of the crime genre with a trippy punk rock attitude. The four roles played by Selena Gomez, Vanessa Hudgens, Ashley Benson, and Korine’s wife Rachel Korine are charismatic enough in an entertaining train wreck sort of way as…
By: Addison Wylie Throughout Jack the Giant Slayer, our title character played by Nicholas Hoult has a look on his face that seems like it should be accompanied with the phrase, “are you #*@#ing kidding me?”. Surely, this is supposed to be aimed towards a giant beanstalk leading towards an army of grotesque giants that live in the sky, but it’s a more appropriate telling of what I was asking myself while watching Bryan Singer’s…
By: Addison Wylie Studio Ghibli proposes a challenge for themselves with their latest animated film From Up on Poppy Hill. The studio, which is known for its wild fantastical imagination displayed in such films as My Neighbour Totoro and The Secret World of Arrietty, decides to ditch the creatures and the animals. From Up on Poppy Hill is a coming of age story featuring a young romance that blossoms only for the two lovebirds to…
By: Addison Wylie Remaking Sam Raimi’s horror cult classic The Evil Dead comes with a price. Much like the film’s killer Book of the Dead, such a task has consequences. The Evil Dead set a bar for low-budget horror when it crept into theatres in 1981. Some claimed it was one of the scariest films ever made while others were too busy howling at the screen. It was a film that obviously left a mark…
By: Addison Wylie When director Don Scardino and his screenwriting duo Jonathan Goldstein and John Francis Daley are nailing punchlines and taking cracks at old magic vs. new magic, inflated egos, and stage show cheesiness, The Incredible Burt Wonderstone lifts off. Add the timing and delivery from Steve Carell and Jim Carrey – two comically trained actors – and the film is a delight to watch. However, Goldstein and Daley take a few screenwriting turns…
By: Addison Wylie Steven Soderbergh’s alleged “last movie” Side Effects is one half murder mystery and another half docudrama about the pharmaceutical industry. It only truly excels at being one of these, but the film is interesting nonetheless from start to finish. Emily Taylor, an often distraught wife played by Rooney Mara, greets her hubby (played by Channing Tatum) after he’s been incarcerated for a lengthy prison term. Life is seemingly back to normal, but…
By: Addison Wylie For a comedy about two buds who take their birthday boy pal on the night of his life filled with partying, copious amounts of booze, and flirtatious girls, I expected 21 & Over to be a somewhat obnoxious ride through unsupervised adolescence with some cheap shots that wouldn’t have the film feeling as if it was devoid of all laughs. I’m glad to report that my expectations were wrong. 21 & Over…