By: Addison Wylie With his latest feature film, writer/director Derek Cianfrance has already made his Magnolia with The Place Beyond the Pines, an excellent and expansive drama intertwining complex characters and haunting pasts with a twist of fate. This is, without a doubt, a step in the right direction for Cianfrance who made a name for himself rather quickly with 2010’s Blue Valentine. I was a fan of the tightly wound performances in Blue Valentine,…
By: Addison Wylie Now that this year’s Hot Docs coverage has come to an end, it’s time to introduce my new video segment to you all. Does It Float? will have me revisiting films I gave positive reviews to and seeing if they hold up on a second viewing. Sometimes, a film can be heightened by the experience or with a certain type of crowd. With Does It Float?, I plan to give you both sides of…
By: Addison Wylie I could say that Sam Raimi’s OZ: The Great and Powerful puts the ‘Z’ in OZ because of how sluggish and boring it is, but that wouldn’t make for much of a review. Instead, OZ: The Great and Powerful can be compared to Tim Burton’s Alice in Wonderland, another big budget fairy tale that shares the same strengths and weaknesses as OZ. Like Tim Burton’s hit, Raimi’s family film is far more interesting…
By: Addison Wylie According to The Ghosts in our Machine, it’s easier for photographer Jo-Anne McArthur to go unseen in factory farms than it is to be seen in major publications. McArthur has dedicated her life to capturing the life of unkempt animals through her lens to spread the word of inhumane treatment aimed towards animals to garner material goods. Whether she’s tagging along with other passionate individuals or executing guerrilla missions as we saw…
By: Addison Wylie Morag McKinnon and Emma Davie’s documentary I Am Breathing is really good and moviegoers will be thankful that they were fortunate to see it. Audiences feel enlightened having spent time with Neil Platt. Platt, having been diagnosed with MND (Motor Neurone Disease), spends his life paralyzed as he plays with his son and humours his nurturing wife. He loves words and always has interesting things to say and even more interesting ways…
By: Addison Wylie For audiences needing a psychological horror fix, Derek Franson’s Comforting Skin may do just the trick. It certainly did for me. It’s a film that starts unsteadily as our main lead is introduced to us. Koffie (yes, that’s her name, and she’s played terrifically by Victoria Bidewell) is down and out and feeling as if no one wants anything to do with her. She’s dishevelled, has a past that hasn’t been bright,…
By: Addison Wylie The documentary Shooting Bigfoot follows three expeditions led by four different devoted and off-kilter trackers. One subject is Rick Dyer. Dyer has had his name besmirched in the world of hunting Bigfoot due to a scam that took the media by storm. Once he finds Bigfoot, he plans to capture it and take its life. Another hunter is Tom Biscardi, a well known tracker who has no interest in killing Bigfoot, but…
By: Addison Wylie First and foremost: Scary Movie 5 is not a funny movie. I know I usually state in my reviews that humour is subjective, but finding a joke or sight gag in Malcolm D. Lee’s comedy that could be deemed as hilarious or clever would be like sifting through the Pacific Ocean to find a sliver of gold. It’s a bizarre comedy that forces the audience to wonder about who thought these jokes…
By: Addison Wylie About six months ago, Canada’s Cineplex Entertainment held their Digital Film Festival featuring a variety of different classics restored and shown through new digital projectors. Steven Spielberg’s hit Jurassic Park was included in this special selection and being that I had some how missed watching the prehistoric epic in my early years, I decided this would be a more than appropriate choice for my first viewing. Jurassic Park is an excellent monster…
By: Addison Wylie Alias made me frustrated. Watching Michelle Latimer’s documentary provoked me in a way that pushed me to talk back to the screen – something I rarely do. Alias focuses on a small handful of Toronto rappers trying to be heard and to please an audience with their music and lyrics. According to the synopsis, Latimer’s doc “digs deeper than the usual portrait of the rap world as glamour, guns and swagger.” I…