Reviews

The Great Chameleon

By: Addison Wylie If Goran Kalezic’s film was conceived a few years earlier, I’m certain Larry the Cable Guy would’ve played Victor Altomare’s leading role.  The Great Chameleon has all those traits one would find in the comic’s low-brow outings – including a cast made up of fairly familiar and puzzled faces as well as cringe-worthy politically incorrectness trying to pass as humour. I think my passiveness towards poorly written, brash racial stereotypes in recent…

Reviews

Birdemic 2: The Resurrection

By: Addison Wylie  I hate Birdemic: Shock and Terror.  I hate it, I hate it, I hate it.  Where most midnight movie lovers embraced its incompetent “so bad, it’s good” charm, I found it to be furiously annoying and “so bad, it’s bad”. How anyone thought that Birdemic: Shock and Terror was releasable is beyond me.  You would think director/screenwriter James Nguyen must’ve had that thought cross his mind between takes of his actors swinging…

Reviews

Inside Out 2013: I Am Divine

By: Addison Wylie  If you think you know Divine, think again.  At least, that was the thought swimming through my head as I discovered new information about the drag queen turned actor turned musician turned superstar. As a high school movie fanatic eager to watch anything and everything, I thought I had found the ultimate lost artifact when I picked up a copy of John Waters’ Pink Flamingos.  When I saw Divine’s Babs Johnson compete…

Reviews

The Hangover Part III

By: Addison Wylie  As the Hangover series comes to a close, it’s wild to look back on the three successful comedies and reflect on how a jaw-dropping sleeper hit eventually became a three-part franchise that has split audiences – especially the second installment which many called “too dark” and “a complete rip-off of the original”. As for myself, I’ve enjoyed where this series has gone and am one of the few who appreciates the The Hangover…

Reviews

Lore

By: Addison Wylie A great deal of unease works in filmmaker Cate Shortland’s favour.  Her dramatic period piece Lore always feels restless.  Characters – young and old – are constantly looking for stability and safety and the environments are always changing. That’s not to hint that Lore is inconsistent with a short attention span.  It’s a compliment that Shortland has found the perfect unsettling tone to allow all her elements to work on. Lore shows…

Reviews

Charles Bradley: Soul of America

By: Addison Wylie It’s hard to find dislikable qualities in Poull Brien’s crowd pleaser Charles Bradley: Soul of America.  Whether you attend a screening of the film because you like Bradley’s music, funk/blues music in general, or a good underdog story, Brien’s doc will have you leaving the theatre with a giant smile plastered to your face while you bob your head to the funky tunes streamlining through your cranium. The doc quickly lets movie…

Reviews

The Days God Slept

By: Addison Wylie There are short films that get wrapped up in their own mysterious styles and murky vagueness, and then there’s Jeremiah Kipp’s The Days God Slept. Kipp’s short film skates awfully close to being just another brick in the surrealistic wall but its consistency to its characters and story is what saves it, making it a memorable watch. The Days God Slept gives the power to the audience to assume the context of…

Reviews

Inside Out 2013: G.B.F.

By: Addison Wylie I haven’t seen it in a good long while, but I was surprised by Darren Stein’s 1999 dark comedy Jawbreaker. It brought that same guilty satisfaction you get when you eat peanut butter out of the container with a giant spoon. You shouldn’t be enjoying it, it’s probably bad for you, but you can’t stop soaking in the indulgence. Since Stein’s latest film G.B.F. deals with this same visual style and the…

Reviews

Inside Out 2013: Valentine Road

By: Addison Wylie A tragically troublesome story involving a 14-year-old executing a fellow eighth grader by aiming and shooting a gun at their head during class seems about as open-and-shut as cases come.  However, filmmaker Marta Cunningham explores the event from every angle to get every side of the story that she can in Valentine Road. It isn’t because she’s suspicious and smelling something fishy in the events leading up to this kill.  As a…