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Trevor Chartrand

Reviews

The Beasts

By: Trevor Chartrand The Beasts, from director Rodrigo Sorogoyen, is based on the ominous and tragic true story of discrimination set in rural Galicia, Spain.  With all due respect to the victims involved, this true story is captivating – there’s tons of cinematic potential in this narrative that The Beasts, frankly, fails to exploit.  Instead of a tense, emotional thriller, Sorogoyen has chosen to take a much slower paced and melodramatic direction, which doesn’t feel…

Reviews

Jules

By: Trevor Chartrand Director Marc Turtletaub, who helmed 2018’s thought-provoking drama Puzzle, delivers warm-and-fuzzies once again with this sophomore indie, Jules.  This surprisingly entertaining film is sweet, endearing, and often laugh-out-loud funny.

Reviews

The Channel

By: Trevor Chartrand The Channel, directed and co-written by William Kaufman, is a sub-par action-thriller that lacks charisma and crowd-pleasing charm.  A typical B-Movie in almost every way, the film feels completely unoriginal and uninspired, borrowing many tropes and concepts from much more successful films.

Reviews

Once Upon a Time in Uganda

By: Trevor Chartrand Many B-Movie enthusiasts are likely familiar with the squib-bursting insanity of Who Killed Captain Alex?, the Ugandan action movie with a violent – and loud – viral trailer on YouTube.  Shot in an impoverished slum, the film is creative with its budget, which reportedly was less than $200.  The movie is absurdly violent.  It’s goofy, it’s strange, and it looks and sounds terrible.  But, Captain Alex is also a film with a…

Reviews

Outpost

By: Trevor Chartrand Having written and directed Outpost, actor Joe Lo Truglio demonstrates a keen eye for the eerie and uncomfortable with this surprisingly dark and effective thriller that serves as a significant departure from the Brooklyn Nine-Nine star’s comedic wheelhouse.

Reviews

Cascade

By: Trevor Chartrand Cascade does some adequate genre-blending;  plucking tropes in such a way that it feels like the film would be right at home if it were released in the 80s.  Essentially, the indie boils down to a combination of teenage dramas like The Breakfast Club and a watered-down Rambo.

Reviews

Bystanders

By: Trevor Chartrand Directed and co-written by Canadian actor/filmmaker Koumbie, Bystanders is an exploration of a high-concept ‘what-if?’ scenario;  a film which specifically ponders the question of our own accountability and societal responsibility with regards to the actions of others.

Reviews

Soft

By: Trevor Chartrand Soft (which was featured in TIFF’s Discovery program last year) is a coming-of-age drama that, while captivating, can be difficult to watch – largely due to its meandering nature.