The Inhabitant (DIR. Guillermo Amoedo) Latin American cinema is in the middle of a great resurgence, creating some of the best works since the cinemas of poverty of the 1960s.  On another hand, there has been an influx of supernatural home invasion films: thieves having to deal with demons who won’t let them leave, a torrent which deemed any new arrivals in the genre mundane.  Using this dichotomy, one is left to wonder what the…