By: Jolie Featherstone Set in the San Fernando Valley in the 1970s, Paul Thomas Anderson’s latest is a wholly immersive ‘endless summer’ following two enterprising misfits in the deliriously light-headed throes of youth.
By: Jolie Featherstone By beautifully capturing the stories of American communities that are rarely seen on screen, Sean Baker has the makings of a modern auteur.
By: Jolie Featherstone With C’mon C’mon, writer/director Mike Mills (Beginners, 20th Century Women) continues to examine and affirm the vulnerable chambers of the heart and psyche that we so often fiercely guard from revealing to others. Reflective and poignant, his films are companions for the parts of us that we struggle to accept, particularly when it comes to reconciling individual experiences within the context of family.
By: Jolie Featherstone Wes Anderson’s latest feature is a dazzling ode to the joys of the printed word and the spirit of the American wanderer.
By: Jolie Featherstone Miles Doleac’s latest feature, Demigod, is an elegant entry into the folk-horror genre.
By: Jolie Featherstone A good ol’ monster movie meets dimy-lit-wood-panelled whodunnit, Josh Ruben’s Werewolves Within offers a modern take on the creature feature that is equal parts quirky and charming.
As we slowly, yet optimistically, rise up through the COVID-19 pandemic and take each day as they come, it’s hard not to suppress our anticipation for theatre re-openings and the current drive-in season. While movie releases seem like small potatoes when compared to the overall economy, it’s been really interesting watching the film industry rearrange titles to gauge at-home audiences, while also preparing for a gradual, blossoming theatrical experience.
By: Jolie Featherstone Shelly Love’s feature film directorial debut A Bump Along the Way is an emotionally intelligent dramedy about a mother and daughter coming-of-age together at different points in their lives.
By: Jolie Featherstone With the stately air and solid bones of a 1940s crime drama, The Last Vermeer is a respectable debut feature film from Dan Friedkin, a former stunt pilot and producer.
By: Jolie Featherstone When second-generation homicide detective Riley Sanders (Jacque Gray) returns to work after a traumatic experience, she’s partnered with the idealistic and stoic Paul Carr (Devin Liljenquist). When Paul brings Riley up to speed on current cases, they realize that two of the crimes are very similar: the victims were bound in enclosed spaces and died of heart attacks. Their investigation leads them to find that the killer is targeting people with clinically-diagnosed…