By: Jeff Ching Wes Anderson is one of very few current directors where viewers can watch 10 seconds of a trailer promoting his film, and immediately identify it as “a Wes Anderson movie”. I don’t know whether that’s a good or bad thing, but credit to him for such a distinctive style. He may be the most “auteuristic” auteur ever, if that makes any sense. Does it? I don’t know. Moving on…
By: Jessica Goddard The writing instructor continuously trying to put down his most gifted student in hopes of making him better and stronger. A father who doesn’t want to indulge his son’s delusions of a career as a professional writer. The sight of a Capital A “artist” bent over his typewriter in an otherwise empty, white room. These are just a few of the many contrivances the viewer of Rebel in the Rye is subjected…