By: Trevor Chartrand Part romance, part crime-drama, The Old Man & the Gun is the gripping, yet low-key, story of notorious bank robber Forrest Tucker (Robert Redford). Based on the true story of a life-long criminal and prison escape artist, the film examines Tucker as a unique breed of villain. Always calm and in control – but not in the suave, Ocean’s 11 type of way. When Tucker robs a bank, he’s simply courteous, polite,…
By: Jessica Goddard Half documentary, half pet project from Michael Caine, My Generation is vaguely informative but mostly a colourful nostalgia trip to 1960s creative hotspot London. The film arcs from explaining the roots of the culturally significant music, fashion, and photography of young London in the 60s to imparting what happened when those same tastemakers dove headfirst into vice (Caine told The Guardian in a recent interview, “What ruined the 60s, towards the end…
By: Trevor Chartrand First-time director Bing Liu shows some real promise with his highly personal and reflective documentary, Minding the Gap. Viewers watching may find themselves concerned early on, especially since the film appears to focus on a group of skater burn-outs and their quest to get drunk. However, the doc challenges those expectations and quickly proves to be a profound examination of their troubled lives.
By: Jessica Goddard A movie unafraid to leave your head spinning from the farfetched quantity of twists, A Simple Favor is fun, well-paced, and stylish. Directed by Paul Feig, it balances elements of a mystery/thriller/dramedy, borrowing from too-many-to-count eerie pop culture phenomena before it. And yet, successfully, it pulls off homage (as opposed to shameless rip-off) time and time again, in a way that feels fresh and full of energy.
By: Trevor Chartrand There are some unforgettable vast desert vistas in Jirga, a philosophical study of redemption and forgiveness screening at this year’s festival. I had a chance to talk with director Benjamin Gilmour and star Sam Smith to discuss their experience making the film, but I just had to ask about those landscapes.
By: Trevor Chartrand Based on a play of the same name, Thom Fitzgerald’s Splinters would have been better off staying on stage. While a perfectly fine motion picture, the film is essentially an adequate and frankly mediocre entry into this year’s TIFF line-up.
By: Trevor Chartrand Sparse and atmospheric, writer/director Benjamin Gilmour’s Jirga is a visually stunning entry in this year’s TIFF lineup.
By: Graeme Howard Simon Baker’s directorial debut Breath (adapted from the international best seller by Tim Winton) is, at first glance, a by-the-numbers coming-of-age surfing tale. However, the audience is treated to a thought-provoking surfing drama that succeeds in capturing the raw nature of the sport, while also exploring the spontaneity of youthfulness and the joyful exploration of curiosity, fear, and self-understanding.
By: Trevor Chartrand The Happytime Gang is here! Directed by the son of Muppets creator Jim Henson, Brian Henson brings us The Happytime Murders, a comedy that takes fun and lovable puppets into some dark new territory.
