By: Trevor Chartrand See For Me, directed by Randall Okita (The Lockpicker), is an engaging thriller that’s sort-of a reverse Don’t Breathe. In both films, a blind person fends off would-be home invaders – but in Okita’s movie, our visually-impaired lead character is not a sadistic sociopath – she’s (mostly) a good person.
By: Jolie Featherstone Set in the San Fernando Valley in the 1970s, Paul Thomas Anderson’s latest is a wholly immersive ‘endless summer’ following two enterprising misfits in the deliriously light-headed throes of youth.
By: Jolie Featherstone By beautifully capturing the stories of American communities that are rarely seen on screen, Sean Baker has the makings of a modern auteur.
By: Trevor Chartrand Goofy and upbeat, Letters to Satan Claus is a comical send-up of Hallmark holiday movies…with a slasher twist. While it’s never laugh-out-loud funny, this film has a satirical edge that makes for an effective parody of holiday movies.
By: Jolie Featherstone Ridley Scott’s House of Gucci brings glitz, glam, star power, and seduction to the big screen. Decadent and grandiose, House of Gucci is chock-full of big hair, big glasses, and even bigger scandals set in the high fashion world of excess in the 1980s and 1990s.
By: Trevor Chartrand From the Oscar-nominated directors of RBG, Julia is an endearing documentary that showcases the life and times of the cooking show pioneer, Julia Child. The film takes a biographical look at her charmingly humble rise to fame, from cook-book writer to television star. The documentary has a lot of personality and examines snippets of her off-camera personal life as well as her positive impact on the cooking industry as a whole. This is…
By: Jolie Featherstone With C’mon C’mon, writer/director Mike Mills (Beginners, 20th Century Women) continues to examine and affirm the vulnerable chambers of the heart and psyche that we so often fiercely guard from revealing to others. Reflective and poignant, his films are companions for the parts of us that we struggle to accept, particularly when it comes to reconciling individual experiences within the context of family.
By: Trevor Chartrand JD Cohen’s Introducing Jodea looks and sounds like a movie slapped together by a high school student over the course of a weekend. From the first frame, the technical failings of the movie are painful, plentiful and impossible to miss. With a lacklustre cast and an agonizingly bland script, the movie ultimately leaves much to be desired.
By: Jolie Featherstone Wes Anderson’s latest feature is a dazzling ode to the joys of the printed word and the spirit of the American wanderer.
By: Trevor Chartrand Director Nick Gillespie’s Paul Dood’s Deadly Lunch Break is a hilarious dark comedy that combines 2019’s Joker with 2004’s Napoleon Dynamite – featuring an inept dancing social outcast who plots vigilante justice. The titular Paul Dood (Tom Meeten) is a troubled man-baby who, despite living with his mother, has aspirations of achieving fame. On his way to an important career-making audition, Paul is delayed by a series of rude and apathetic citizens,…