By: Addison Wylie By definition, Paul W.S. Anderson is a filmmaker. In my eyes, he’s not a very good filmmaker, but he’s been able to create brainless successes. His latest blunder Pompeii is by definition “mindless entertainment”. The film follows similar conventions that were used in his Resident Evil adaptations, and he crosses his fingers hoping people will eat it up all the same. It’s expected people will walk out of Pompeii passively shrugging off…
By: Addison Wylie Personally, my knowledge of the Federal Reserve goes about as deep as a mall fountain collecting pennies and dimes. Naturally, Jim Bruce’s documentary Money for Nothing: Inside the Federal Reserve should be the perfect vehicle to educate people like me who need a bit more information about its history and the possibly bleak future it has ahead of it. Jim Bruce seems like the right filmmaker for the job seeing that he’s…
By: Addison Wylie Acting as this year’s Fame High at TIFF Next Wave, I Learn America is also about a select group of students who attend high school and face frequent obstacles. In Fame High, those students were hampered when chasing a creative dream. In I Learn America, these young immigrants try and understand the American dream. New York City’s Lafayette is the home of International High School. The school opens its doors for nearly…
By: Addison Wylie I don’t know what possession is more crucial and harmful: the ones that occur in Here Comes the Devil within the Tijuana cliffs or the wrestling match between mature horror and fanboy immaturity that litters the film’s screenplay. Adrián García Bogliano’s horror is one of those movies where audiences can tell there are heavy influences driving the film. It’s also one of those movies where these homages don’t simply stay on the filmmaker’s…
By: Addison Wylie It was nice to see a young adult book series stick to its gritty tone and not feel the need to make it lighter for a mainstream audience. That’s exactly what The Hunger Games did with its first venture to the big screen. It did, however, succumb to attributes that felt reminiscent to other franchises with a widespread teen audience. One of these beats being complications with affection between two strapping young…
By: Addison Wylie Movie goers will always remember the big boom of modern vampires and their iffy lore. Some appreciated what Twilight executed with their movement, while others wished the movement had been executed altogether. That said, I believe we can all agree that fantasies about brooding creatures of the night have had their time in the spotlight and are now starting to peter away slowly. It was like witnessing an out-of-control party scamper off…
By: Addison Wylie You have to hand it to Martin Scorsese. At age 71 with dozens of classics under his belt to which he directed, he still has the courage to make a provocative fireball of a movie like The Wolf of Wall Street. The Wolf of Wall Street chronicles the fast track lifestyle of real life wall street broker Jordan Belfort. Belfort is played by Leonardo DiCaprio, who soaks in the shadiness with a…
So far in this series on Wylie Writes, re-watching Parkland has been the closest I’ve come to agreeing with the other side of the fence. However, I won’t be persuaded so easily. Peter Landesman’s drama Parkland, a film documenting the day of John F. Kennedy’s assassination and the next few days that followed it, has plenty of accomplishments. Landesman’s ability to capture 1960’s period detail is spot on, and there no sign of fabrication when the film…