Studio 666 is a lark, through and through.
Extra Ordinary, a horror-comedy from Irish filmmakers Mike Ahern and Enda Loughman, is loaded with ideas, concepts, and gags. But while these bits are funny individually, they don’t collectively contribute to an overarching story.
The Willoughbys tries to straddle the line between being playfully grim and downright bizarre but, instead, alternates from being one or the other. Based on Lois Lowry’s children’s book and evoking memories of stranger family fare like James and the Giant Peach, Matilda, and Lemony Snicket’s A Series of Unfortunate Events, The Willoughbys is a unique endeavour that will make you laugh as much as it will straight-up weird you out.
Ghosts are just ordinary people who have died. Surely, that means they are all around us, right? Extra Ordinary starts with this quirky concept and adds satanism, post-domestic abuse, and driving school experience to turn the weirdness up to eleven. The film’s weirdness isn’t its only trick, however, because Mike Ahern and Enda Loughman’s film is roaringly funny despite that.
By: Jolie Featherstone When a movie opens with an inspirational, expletive-filled meditation guide voiced by Maya Rudolph, you know you’ve chosen the right movie.
It makes sense for David Wain to direct a biopic about Doug Kenney. The absurdist director of Wet Hot American Summer, Role Models, and Wanderlust works with a special brand of off-beat comedy as Kenney’s National Lampoon brainchild did. Even though the biopic genre is new ground for Wain, A Futile and Stupid Gesture is still a comedy cut from familiar cloth.
One of the most unpleasant moviegoing experiences this year takes place far away from any movie theatre. It begins on Netflix, and ends in regret.
Director Jared Hess and his co-writer wife Jerusha Hess debuted in the spotlight with Napoleon Dynamite, and made audiences chuckle with their lower rung follow-up Nacho Libre. I speak as someone who missed their critically maimed third endeavour Gentlemen Broncos, but I really enjoy watching whatever these two make.
By: Addison Wylie Peter Bogdanovich (director of The Last Picture Show, Paper Moon, and What’s Up, Doc?) must have tons of clout. This would explain the overconfidence in his latest film She’s Funny That Way. This star powered, ode to screwball farces couldn’t help but remind me of when the Farrelly Brothers made a feature-length Three Stooges movie. Bogdanovich has made the movie he wanted to make, but the film itself reinforces that it’s currently hard…
By: Addison Wylie In an attempt to be complementary, but at the same time seem unintentionally inconsiderate, I enjoyed Life of Crime because it lacked a notable visionary’s presence. It didn’t feel the need to impress the audience with any sort of pizazz. It has a solid story, an array of interesting people ranging from low-lifes to the pompous rich, and a good time period to reference through lavish art direction and a sensational score….