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One-on-Ones

Wylie Writes’ One-On-One with Robert Eggers

“This makes me want to puke.  Sorry, this came into my head.  Sorry.”  These were the words spoken by Robert Eggers, before he made a point about the relationship between Andrej Tarkovsky and Fyodor Dostoevsky.  The singular voice behind the instant classic The Witch and The Lighthouse provided evidence of two important parts of his personality: the first being his self-effacing tendencies despite how well-read he is—after all, any great artist is first a great student—and…

Reviews

The Lighthouse

When Robert Eggers appeared on the cinematic scene with The Witch at 2015’s Sundance Film Festival, he exposed untold new ways to tell horror stories.  So, what can someone who has already reinvented a genre do to follow up such a work?  Eggers decided to use a similar formula—mainly the research of authentic historical documents that went into the screenplay’s creation of horror—to tell a brand-new story.  The results are great.

Festival Coverage

TIFF 2019: ‘The Lighthouse’

With The Witch, Robert Eggers showed the world that there were untold, new ways to tell horror stories.  So, what can someone who has already reinvented a genre do as a follow up?  Eggers decided to tell a new story based on the research of horrific authentic historical documents, and it works.

Reviews

The Kid

From my experience, audiences usually like when a movie shifts into high gear right off the hop;  especially if it’s an action movie.  The Kid does just that.  Using a pair of young fugitives as a vessel for the audience, the film essentially starts in the middle of a power struggle between Pat Garrett (Ethan Hawke) and Billy ‘The Kid’ Bonney (Dane DeHaan).

Reviews

Gloria Bell

Gloria Bell is eventually invigorating.  “Eventually” usually has a negative connotation, but not in the case of Sebastián Lelio’s movie.  After all, the search for one’s identity isn’t going to be easy.

Reviews

The Poison Rose

P.I Carson Philips (John Travolta) accepts a missing persons case that returns him to his hometown.  Reminding movie goers of Walking Tall, Philips observes that his old stomping ground is unlike how he remembers it, which leads into an overlapping conspiracy involving the recent murder of a star high school quarterback.

Reviews

Dragged Across Concrete

Dragged Across Concrete is an excellent contemporary crime thriller that feels painstakingly real.  From its characterizations of bitter people blaming PC culture and 24/7 surveillance for their own faults to the drawn-out investigations that suggest other criminal activities are afoot, this is a divisive film that is identifiable and purposely tough on the viewer.