Craig Roberts’ The Phantom of the Open, while slightly flawed, is a surefire crowd-pleaser with a clever sense of humour, wholesome wit, and an excellent headliner performance by Oscar winner Mark Rylance (Bridge of Spies).
Eternal Beauty is ostensibly the second film to be released in recent months in which a character diagnosed with schizophrenia struggles with the broad issues of love, family, and life. Unlike Luke Eve’s heavily saccharine I Met a Girl, where a man with schizophrenia travels across Australia to find a girl who may or may not exist, Eternal Beauty’s narrative is much more complex, even confounding, and precisely what endpoint it is seeking is vague.
By: Trevor Chartrand Guillermo del Toro’s The Shape of Water is a masterfully crafted modern-day fairy tale. An incredible, romanticized take on the creature feature, director/co-writer del Toro seamlessly combines genre and visual style to bring us this beautifully bizarre morality tale.
By: Nick van Dinther There are certain directors that have a specific style audiences can always identify – Quentin Tarantino, Wes Anderson, Tim Burton to name a few. Guillermo del Toro (The Devil’s Backbone, Pan’s Labyrinth) is surely a part of that crew. When it comes to The Shape of Water, del Toro’s style is out in full-force to bring us an unforgettable visual spectacle.
Young Nathan (Asa Butterfield) has issues interacting with people. Diagnosed as on the autistic spectrum (with a little bit of synesthesia), Nathan much prefers patterns and numbers – making him a wiz at mathematics. He shared a special connection with his father, but after dad perished in a vehicular collision, Nathan withdrew even further, and burrowed deeper into mathematics. His mother (Sally Hawkins), unable to connect with her son, signed him up for personal advanced…