Strong performances and intimate cinematography elevate an otherwise so-so drama in writer/director Kerem Sanga’s The Violent Heart.
The World to Come, the second feature from Norwegian filmmaker Mona Fastvold (The Sleepwalker), is a plodding meditation on love and grief that is salvaged from mediocrity by the palpable chemistry between its lead actors. Still, the film doesn’t offer much that is fresh of exciting and rehashes some tired lesbian period piece tropes.
Written and directed by Victor Neumark, First Blush is the story of a young married couple, Nena (Rachel Alig) and Drew (Ryan Caraway), who decide to open up their relationship after they meet a beautiful young actress named Olivia (Kate Beecroft). For a feature film debut, First Blush is passable and hints at Neumark’s talent for exploring complex interpersonal dynamics. However, as a depiction of polyamory, it misses the mark.
By: Trevor Chartrand The second feature film from writer-director Lili Horvát, Preparations to be Together for an Unknown Period of Time is a strange romantic drama that’s difficult to connect with. If that title seems long and complicated to you, wait until you see the movie. Even for a film that’s barely longer than 90 minutes, this picture is an absolute slog to sit through.
Recently, I reviewed the hilariously spot-on holly-jolly spoof Cup of Cheer. The comedy did such a good job calling out tropes, clichés, and lazy writing found in Christmas movies. What it didn’t do, and what I realized after watching My Dad’s Christmas Date, is that Cup of Cheer didn’t poke fun at deceptive movies that bait viewers with seasonal qualities to dress up an otherwise dismal story. If My Dad’s Christmas Date didn’t occasionally show…
A story of possible infidelity gets an anti-Hollywood spin in Sofia Coppola’s sophisticated dramedy On the Rocks.
Eternal Beauty is ostensibly the second film to be released in recent months in which a character diagnosed with schizophrenia struggles with the broad issues of love, family, and life. Unlike Luke Eve’s heavily saccharine I Met a Girl, where a man with schizophrenia travels across Australia to find a girl who may or may not exist, Eternal Beauty’s narrative is much more complex, even confounding, and precisely what endpoint it is seeking is vague.
The premise Luke Eve’s I Met a Girl, a rather poignant road trip/love story, runs the risk of romanticizing mental illness, but manages to instead provide a positive opening for neurodiverse communities.
By: Trevor Chartrand Fisherman’s Friends is a charming little movie that celebrates the strength of a close community, shining its spotlight on a gang of quirky singing fisherman from Port Isaac, UK. Unlike the throat lozenge brand that shares this same title, this film goes down smooth and easy – and it won’t leave a bad taste in your mouth.
Director, writer, and star Frederick Keeve demonstrates a strong imagination but a weak sense of dramatic ability in his feature The Accompanist, a story about a gay piano accompanist who becomes infatuated with a male ballerina amidst a series of tragedies that befall both men.