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Romance

Reviews

Emma

Audiences have been spoiled with unique period films – Whit Stillman’s Love & Friendship, Yorgos Lanthimos’ Oscar winner The Favourite, and Greta Gerwig’s take on Louisa May Alcott’s Little Women.  We’ve been shown that these rustic movies can exist outside of a formula, which makes Autumn de Wilde’s Emma a bit of a retrograded step.  But, the conventional choices can be explained.

Reviews

The Half of It

Two years ago, I seemed to be on the wrong side of the tracks when discussing Netflix’s bubblegum teen movie To All the Boys I’ve Loved Before. Everyone threw their arms around it, except for me who thought teenagers deserved a smarter movie. Excuse my déjà vu as I find myself in the same dilemma. The reviews are in for Netflix’s latest fluffy flick The Half of It and people find it endearing, except for…

Reviews

A Secret Love

Chris Bolan’s documentary A Secret Love is a sweet tearjerker that explores the nearly 70-year relationship between ex-All American Girls Professional Baseball League player Terry Donahue and her loyal partner Pat Henschel.

Reviews

Space & Time

There seems to be an unhealthy trend of shooting and wrapping film productions within a short time frame (A Fall from Grace, Appiness).  But for Toronto indie Space & Time, writer/director Shawn Gerrard sees the appeal of a patient process.  Space & Time has been shot over the period of 11 months;  allowing the film to naturally capture the passage of, well, space and time.  This lends a potentially special quality to the film’s story…

Reviews

Portrait of a Lady on Fire

Céline Sciamma’s highly acclaimed drama Portrait of a Lady on Fire is visceral filmmaking at its most eloquent.  So much of this period piece hinges on textures, sights, and sounds to make the audience believe that we’re living through someone’s romantic memories.

Festival Coverage

Toronto After Dark 2019: ‘James vs. His Future Self’ and ‘Making Monsters’

James vs. His Future Self (DIR. Jeremy LaLonde) Jeremy LaLonde’s recent movies have truly owned their genre in a unique way.  The Go-Getters was a gleefully foul play on the traditional buddy formula, and How to Plan an Orgy in a Small Town was a charming sex comedy.  With James vs. His Future Self, LaLonde takes a swing at crossing science fiction with a romance – it’s a sweet success.

Reviews

Non-Fiction

By: Jolie Featherstone The latest film from Olivier Assayas (Personal Shopper, Clouds of Sils Maria) is a classic comedy of manners imbued with dry wit and social commentary aplenty set amongst the bourgeois-bohemian Parisian publishing world.