Jojo Rabbit, written and directed by Taika Waititi, is a risqué movie that reminded me of classic comedies made by the legendary Mel Brooks. The film risks being offensive to lampoon racism, including its different perspectives by persecuting followers, and to draw parallels to current arrogant behaviour thrusted upon minorities. Waititi solves the puzzle to make his satire work, but also doesn’t distill the severity of past hate crimes in this period piece.
World War II has been done! This is hardly a controversial claim when it comes to cinema; everyone and their mother has already made a film about World War II—whether about how bad the war was or how heroic—and seemingly every possible angle has already been covered. Filmmaker Taika Waititi, however, finds a way to stand out with Jojo Rabbit, a movie that refuses to be about the war at all, instead using his unique brand…
By: Jolie Featherstone Beautiful European locale? Check. Comedy that runs the gamut from social critique to slapstick? Check. Two smart and savvy women competing for the ultimate con? Check!
Jennifer Saunders and Joanna Lumley return as Edina Monsoon and Patsy Stone in the film adaptation of the popular UK sitcom Absolutely Fabulous.
Sometime after Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan and before Brüno, Sacha Baron Cohen was at a crossroads with his comedy: does he expose more social experiments with wry satire or does he stick with outrageous nastiness?
By: Addison Wylie This isn’t the case with most sequels, but Pitch Perfect 2 is bigger in every way, and therefore better in every way. And, no, that isn’t a playful jab at Rebel Wilson and her Fat Amy character. This is a series that needs to rise to the occasion and use all the space around it in order to feel worthy. The film needs to break out of a boxed-in format and use every…