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Matt Smith

Reviews

Morbius

The output of movies based on comic book properties isn’t slowing down any time soon, which is why I appreciate filmmakers who take a different crack at the genre. While some of these anomalies are laughed off or forgotten by their demographics, I tend to stick up for these weird flicks (I got a kick out of the buddy comedy dynamic in Venom) . What I’m trying to say is that I wanted to be on…

Reviews

The Forgiven

By: Jolie Featherstone John Michael McDonagh’s grim social drama, The Forgiven, explores the intersections of class, race, and culture.  Based on the 2012 novel of the same name by author Lawrence Osborne, the film constructs a world beyond time.  Indeed, the story feels as if it could be set today or many decades ago and it would still be just as relevant.

Reviews

His House

His House not only offers a new take on haunted horrors, but it offers a weaved interpretation of grief and guilt that’s both innovative and effectual.  It’s essentially the ideal horror movie for audiences looking for scares and substance.

Reviews

Lost River

By: Josh Chenoweth Lost River marks the directorial and writing debuts of actor Ryan Gosling, known for mainstream successes like The Notebook as well as critical darlings like Drive. After getting a less than pleasant response at Cannes in 2014, I was curious to see if Lost River was really all that bad.  The answer: a resounding yes. Shot in a decaying suburb near Detroit (where else?), Lost River focuses on Billy (Christina Hendricks), a single…